You mean Proteus is doing that with her? Surprising, I assumed they would just use the same thing as X-Force.
YJ isn't made for kids anymore, compare the gore from season 2, which were just bloody spots (Most noticeable when Ra's gets killed in the last episode) with season 3, where Cyborg had his body mutilated in episode 11, and it was shown.
Althought, it would be noticeable if X-Men doesn't follow the route of YJ and Samurai Jack season 5 which they were made for an older audience, since X-Men is older than both.
I hope to God they never adapt the Krakoa nonsense into this show. I can't even imagine the 90s versions of characters like Apocalypse or Mr. Sinister being able to co-exist with the X-Men.
I can. The show was silly and the villains super campy. I can absolutely see them all sitting at the same table having to co-exist and cooperate. In fact, it makes me laugh to think about it.
“Not as good as I once was… but I’m as good, once, as I ever was.”
I believe X-Men 97 should and will be done with a slightly older audience in mind. I'm not talking about "mature viewers" but I fully expect a level of sophistication the original show didn't have. Again, not in terms of gore or sex or nudity but more in the storytelling. A good example would be Kevin Smith's He-Man: Revelations, whose characters and stories were infinitely more complex than the original ones.
I think it would be more fair to compare the Netflix He-Man show to the early 2000s show that aired on Cartoon Network as it's not hard to tell more complex story telling than a early 80s cartoon for children. As for X-Men TAS, other than Batman and Gargoyles, no other animated show with a TV-Y7 rating was touching subjects X-Men were at the time. My favorite episodes was the 2 part One Man's Worth and it had a scene where a bartender was refusing to serve Storm, Bishop, and Shard because they were black. Seeing Wolverine and Storm holding hands probably set him off too. X-Men TAS was also the first American cartoon I know of that had serial storytelling, which is the norm now for this streaming era.
I think the concept of Krakoa can exist but the X-Men spearheading it without the push and experience from multiple extinction events? It took a long time to break their spirits and really make them see isolationism as a option as opposed to integration. To be fair, they haven't completely given up on integration, but they'd definitely fallen into more grey area regarding relations with humans. Going so far as to ban humans without hard ties to a mutant from entering Krakoa. I do think you need the extinction plots to explain this huge change in a lot of characters thinking, especially for characters like Jean and Cyclops who most believed in Xavier's dream. Heck Xavier himself from the 90s might have turned up his nose at Krakoa... before the Moira recton anyway.
I don't think the "mutants always lose" is enough unless you basically explain to the entire mutant population why they are being shuffled off to an isolated island. It shouldn't work for most characters to get cut off like that.
It works for some mutants to see Genosha as a viable option, but the 90s X-Men were always more optimistic and hopeful regarding the dream.