“Strength is the lot of but a few privileged men; but austere perseverance, harsh and continuous, may be employed by the smallest of us and rarely fails of its purpose, for its silent power grows irresistibly greater with time.” Goethe
I'd prefer the PF to be a cosmic force which has a consciousness, but not an anthropomorphic one.
And since that's not the case - the PF is, in my opinion, painfully human - I wouldn't mind if it decided to set on a form. As long as it does *not* look like Jean or steals any of her experiences, I couldn't care less.
Honestly, it might be pedantic of me, but part of why I've always been resistant to associating the Phoenix with characters other than Jean, even though I'm also fine focusing on Jean without it, is because the entire POINT of a phoenix, icon/imagery-wise, is that there's only ever ONE phoenix at a time. Its a singular being in pretty much every variation of every phoenix myth ever created. IMO its just....totally missing the point of crafting a comic book mythos around a phoenix, specifically, if you're going to end up associating it with a dozen different characters, sometimes as many as five at a time.
Like, its totally knee-jerk, I freely admit it, lol, but a part of me will always be like 'hmm, that feels off' when the Phoenix is associated with anyone but Jean, as long as Jean's around in some capacity, because like.....sorry not sorry, if you're going to make a big deal about a Phoenix, there should be only one phoenix and/or host otherwise what you've really got is just a bunch of firebirds.
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I don't necessarily think an anthropomorphic form would curtail its powers.I just want it to interact with humans if it chooses to through this human form, but still maintain its cosmic form as its default setting that it can also revert to if it chooses. A new non-Jean form would suit it imo as it would really feel autonomous from a reader perspective.
I wasn't thinking about powers or anything like that. It could be another cosmic character with a human-like body.
What I meant is that I'd want this character's relationship with Jean to be "I once was Jean Grey, but now I'm Phoenix" or "I had a crush on this human once and man... she destroyed my poor cosmic heart. But I'm over it now". :P
Last edited by Grinning Soul; 05-12-2022 at 05:45 AM.
I have long said that Jean with the PF should be a cosmic hero and would love to see Jean as part of a cosmic team on adventures. I would also love Jean to get the Phoenix back.
But another part of me wants to see what this new powerful Jean Grey can accomplish on her own without it.
[Quote Originally Posted by Thor-El 10-15-2020 12:32 PM]
"Jason Aaron should know there is already a winner of the Phoenix Force and his name is Phoenixx9."
Like a Red Dragon, The Phoenix shall Soar in 2024!
I assume the reason Duggan's work comes across as if he is "playing it safe" is because, in a sense, he has had to out of necessity? I mean, as I've said before, he wrote the first year of this series amidst three major events—Trial of Magneto, Inferno, and X Lives... and X Deaths of Wolverine—while preparing to enter another one—Judgment Day—this summer. I'm assuming there was but so much he could or was allowed to do. I wouldn't be at all surprised if the editorial mandate was to keep the plates spinning while serving action(!), intrigue, and light character work. Nevertheless, I've found his style refreshingly down-to-earth and straightforward and the threads and villains he's introduced fascinating.
See my comment above. That being said, I don't think he's writing with the motive of "trying not to displease as many people as possible." I think he's just telling straightforward while keeping his eye on two to three overarching arcs he has established. Granted, his writing style might not be as highbrow or high-concept as writers like Hickman, Gillen, or Ewing, but it has a broad appeal and is more approachable as a result.
I've already written why I'm enjoying and rather excited about what he's doing with Jean. When he focuses on her, as you say, "she really pops," and that's far more than I can say she did under Hickman. Also, as much as I loved some Percy's moments for her, I think the criticism that "she's kinda just there" applies more to her role in X-Force and X Lives of Wolverine, though, again, I liked and even loved a lot of what he did with her. (In X-Force, Percy had her give a great speech to Beast about not fearing death right before she resurrected Xavier; it's one of my favorite moments of hers during the Dawn/Reign of X eras).
Furthermore, as I've said before, I think he's highlighted various aspects of Jean's character that haven't been highlighted since before the dawn of the Krakoan era, including showing how she feels about her troubled past and the way she has chosen to present herself up until recently (i.e., her use of the old uniform and codename). He's also given her some morally ambiguous or downright questionable things to do, such as pushing Lorna to go with her initial impulse regarding joining the team and, in the latest issue, having her break a gambler's hand when she really didn't need to go that far to get his and everyone else's attention. And it's clear to me, especially from what I've been told, that he's just getting started.
Overall, I think he's done great and refreshing character work with Jean and others, such as Everett, Lorna, and Scott. Granted, I wouldn't call his character work extensive or voluminous—he's been more focused on highlighting their abilities individually and as a team while fleshing out new villains and plot threads—but I also wouldn't call it safe or boring. I've actually grown to feel like I know and even love his Jean, Everett, Lorna, and Scott. They feel real and complex to me. So much so, in fact, that I pray he keeps them on the team and continues to reveal more about them. (It's obvious Jean and Scott are staying on, so I'm talking more abut Everett and Lorna here.)
Jean Grey in the words of Walt Whitman, from his masterpiece Leaves of Grass, "Song of Myself" (51 and 52):
"Do I contradict myself? Very well then I contradict myself, (I am large, I contain multitudes.)"
"Failing to fetch me at first keep encouraged, Missing me one place search another, I stop somewhere waiting for you."
I don't think the fact that Duggan hasn't created longer character arcs rests solely on him, though. As I stated above, I think the editorial mandates for this particular series have been specific and as a result of the aforementioned events he has had to tiptoe around and for which he has had to prepare. However, I think criticism of his struggle to consistently highlight each character within a team dynamic is valid. Even still, during the first three issues of the series, he did a fantastic job of doing just that. All of the team members were included, fought together, and worked as a whole beautifully. Then he began to dedicate issues to one or two characters at a time, which had/has it's benefits and downsides.
And to your point about whether he "has creat[ed] a story arc for these characters that fans are going to come back to and reread or think of nostalgically," I can say he has done so for me. But I'm also cognizant of the fact that I'm a biased Jean Grey fan, lol. Still, I've gone back to reread the first 11 issues published so far and was surprised by how much I enjoyed them, even more as a whole. You get the sense that he is really going somewhere with his plots and characters, unlike some writers whose writing may be more adorned and concepts more highbrow but who essentially just circle the drain and leave one impatient.
The irony of course, is that Duggan IS fully capable of committing to a longer storyline with a slowburn payoff, sink that time, page-space and energy into building something with weight and far-lasting implications. He's doing it in this very title, with his over-arching PLOT for the X-Men as a whole.
And again, I disagree with your opinion that he isn't doing much with individual characters. I already touched upon the characters he's made me care about most. He's made Everett more proactive than he's been in a very long time, while also highlighting his potential and effectiveness. He's allowed Lorna's charm and pathos to shine through and spotlighted her strength and abilities. Frankly, he's made me fall in love with Scott again for the first time in forever. And as for Jean, during specific moments, I think he's underscored that she has been troubled and conflicted by how she's chosen to present and assert or not assert herself. He's depicted her as an effective mentor and leader. Could he develop these and other characters more? Absolutely. Then again, I think he will be, especially as we moved through and past Judgment Day.
Claremont's runs are a whole other animal because he was using tools—expository captions, thought bubbles, etc.—most current writers aren't. It would be better to compare Duggan's run to its predecessor—Hickman's run—which certainly left me wanting.
Ultimately, I think Duggan's writing and overall run on this series will be judged best after Judgment Day and the dust from the three events before it has settled. It'll be interesting to see who keeps for and how his focus will change during year two.
Anyway, thanks for sharing your thoughts! You always bring much to ponder to the table!
Jean Grey in the words of Walt Whitman, from his masterpiece Leaves of Grass, "Song of Myself" (51 and 52):
"Do I contradict myself? Very well then I contradict myself, (I am large, I contain multitudes.)"
"Failing to fetch me at first keep encouraged, Missing me one place search another, I stop somewhere waiting for you."
Jean Grey in the words of Walt Whitman, from his masterpiece Leaves of Grass, "Song of Myself" (51 and 52):
"Do I contradict myself? Very well then I contradict myself, (I am large, I contain multitudes.)"
"Failing to fetch me at first keep encouraged, Missing me one place search another, I stop somewhere waiting for you."
Why would the Phoenix force create a human body for itself that has not I had to do with another person? At that stage it has no connections anyone, which is why Marvel doesn’t do that.
Really, they could simply get rid of the Phoenix as consciousness, because it originally wasn’t. Rachel already has her Phoenix powers back by going to Otherworld.