Originally Posted by
Guy_McNichts
Oof, this thread went off the rails.
For my money...power levels are relevant to a character's appeal. For me, one of the appeals of Wonder Woman is that she's an upper-echelon powerhouse which enables her to engage in grand, epic-scale stories. Same way I like the absurd power levels of Dragon Ball.
But it's asinine to treat them as the end all, be all of everything. The absolute last thing I care about is whether nerds on battle forums think one fictional character can beat the other fictional character. All that does is remove context and reduce everything to mere stats, which is an utterly joyless way to approach a story.
For me, the more important thing in regard to Diana's power levels is the function they serve in the narrative.
For comparison, look at pro-wrestling. We all know wrestling is fake and wins/losses don't really mean anything. But they can offer an insight in how management and the guys making decisions behind the scenes see the performers.
If one wrestler loses a match, but only because the bad guy cheated, or after a long, evenly matched fight that could've gone either way...that's a sign management sees value in the wrestler and has long-term plans. If you like that wrestler, you can expect good things for them.
If another wrestler loses clean as a sheet in less than two minutes, that's a pretty good sign management has no plans for this person and their career is going nowhere. And if you like that wrestler, you're screwed.
Taking it back to Diana's powers, I'm more concerned with how their portrayal serves the story.
For instance, in the recent issue of DC vs. Vampires, Diana's Lasso of Truth conveniently doesn't work the way it's supposed, allowing Hal to turn her into a vampire. What purpose does this serve in the narrative? It's to get her the hell out of the way because Batman and Green Arrow are the real heroes of this story. That's a lame story and waste of my time.
Compare that to a comic where Diana is defeated or overpowered in battle, but it's about how she rebounds and deals with it. We've seen her get her ass kicked by Genocide, Cheetah, Ares, and other villains, but the whole point of those stories is she overcomes. That's the point of heroic fiction. The hero struggles, endures setbacks, and prevails.
Meanwhile, we've also seen her get her ass kicked by Doomsday and Mongul, and the point of those stories was Superman is saves the day. She's just a prop, and I don't like when Wonder Woman is reduced to a prop.
Which brings me back to the DCEU. Even though WW84 and Justice League (both versions, and as far as Diana's concerned, they're the same) have gotten conflated together in this thread, I think comparing the two illustrates my point.
WW84 tells a story of Diana gradually losing her powers, causing her to struggle against foes she ordinarily wouldn't have trouble against. It's not what I would've preferred, but that's what we got. The important thing, in my opinion, was it was Diana's struggle. How she deals with it and overcomes it.
Whereas, in Justice League, we see a Diana who's presumably at full power and arguably accomplishes more impressive feats...but all in service of a story built around how Superman is the most important hero in the world. For all the flash and brutality Snyder gives her, she's narratively useless. The best she can do is stall Steppenwolf long enough for the real heroes to save the day with nothing but the pittance of a kill-shot that only comes after the villain is already effectively defeated.
And, yes, this absolutely applies to the other heroes who were also rendered superfluous by Superman...except arguably Flash who had to time travel everyone back to life because, losers that they are, they initially failed to stop Steppenwolf in time for Superman to save their sorry asses.
For all its faults, WW84 at least treats Wonder Woman like she matters and can make a difference. That's worth more to me than how much she can bench-press.
Which brings me back to my original post here. Although I mentioned the prospect of Diana jobbing, when I said I fear poor showings, I meant more than mere win/loss record.
Flash's movie is apparently going to be based on Flashpoint. Does that mean, if Gal Gadot makes an appearance, we're in for then genocidal tyrant Wonder Woman? We're presumably going to get some kind of "bad future" and I dread what that might mean for Diana beyond mere jobbing.
Flashpoint in general is such a garbage story that does no one involved any favors.
Hopefully, if she appears in the next Shazam, it'll be something more akin to Dr. Strange showing up in Thor: Ragnarok where she pops for one scene, does something cool, and then goes on her merry way.
But I don't trust Warner/DC who, for some reason, feel this need to establish that in order for one hero to do something, other heroes must be rendered useless. See the Nu52 animated movies and how the League was jobbed out in virtually every one of them to understand what I mean by that.
I think there's a valid discussion to be had in whether no representation is better or worse than bad representation.
Sadly it's true, if Diana didn't get bad representation (any given Justice League appearance, animation, DC vs. Vampires, DCeased, Injustice, the upcoming Suicide Squad game), we wouldn't see her much outside her own comic period.
That sucks, and it's a bigger issue than power levels.