Could always give Catwoman and one Batman title to one writer.
Could always give Catwoman and one Batman title to one writer.
Writing about comics https://bookofhsssh.blogspot.com
The thing is… that shouldn’t be hard. It shouldn’t even really be unusual, actually.
It’s what, a phone call or email every month if neither worker has any big crossover ideas, and a fairly simple two-book collaboration if they *do* want to do crossovers?
That kind of low-level collaboration would be child’s play back in the days of Denny O’Neil, not even really worth commenting on.
Now, I remember that report two years ago or so of the Batgirl writer not even being invited to a writer retreat everyone else went on, but that just makes me think of editorial dysfunction.
Like action, adventure, rogues, and outlaws? Like anti-heroes, femme fatales, mysteries and thrillers?
I wrote a book with them. Outlaw’s Shadow: A Sherwood Noir. Robin Hood’s evil counterpart, Guy of Gisbourne, is the main character. Feel free to give it a look: https://read.amazon.com/kp/embed?asi...E2PKBNJFH76GQP
"We're the same thing, you and I. We're both lies that eventually became the truth." Lara Notsil, Star Wars: X-Wing: Solo Command, Aaron Allston
"All that is not eternal is eternally out of date." C. S. Lewis, The Four Loves
"There's room in our line of work for hope, too." Stephanie Brown
Stephanie Brown Wiki, My Batman Universe Reviews, Stephanie Brown Discord
As someone else said, it may not even be up to Howard at this point. I mean, as easy of a target as writers are, a good chunk of the time they're just following the instructions of editorial.
That said, if I were writing Catwoman, I wouldn't have the least bit of a problem if Selina were in a relationship during my run...I just wouldn't devote more than a few panels (a page or two at most) every story arc or so to it. I'd imagine as a writer I'd have my own ideas and wouldn't be particularly interested in writing Selina in a relationship with another character whose stories are ultimately someone else's to write (even if it is Bats).
However, if I were writing another Batman/Catwoman book, that's all I'd be interested in writing about since that would be the primary focus of the series.
Keep in mind that you have about as much chance of changing my mind as I do of changing yours.
It seems like the big two rarely like committed relationships and want the characters to be as unattached as possible. Course, given that it's a medium where the story never ends and stuff eventually gets recycled, plot points are going to get repeated, including falling outs and break ups. I guess the way I see it is to keep that in mind and hope that the couple you like is between the hero and the "primary" or most iconic love interest. Those will always come back sooner or later and are too engrained to really erase.
Doctor Strange: "You are the right person to replace Logan."
X-23: "I know there are people who disapprove... Guys on the Internet mainly."
(All-New Wolverine #4)
The big stars tend to be the ones that the Powers That Be want to keep unchanged; if Batman is happy with Catwoman, he's no longer a miserable loner who can make out with whoever the writers want him to. Can see the point though; Batman and Catwoman are on the outs, I've seen plenty of frustration on other threads that Tim Drake and Stephanie Brown were broken up so Tim could date other people (not a fan of Stephanie with Tim, honestly, but I can get the frustration). At least Bat/Cat fans can reassure themselves that the two will be together again, if nothing else that she's cemented herself as the Lois Lane or Mary Jane Watson of the franchise.
Doctor Strange: "You are the right person to replace Logan."
X-23: "I know there are people who disapprove... Guys on the Internet mainly."
(All-New Wolverine #4)
I'm sure we'll still get Bat/Cat content one way or another.
First:
(Insult tired old joke about how you can be just as miserable while attached to someone as you can while being a loner) And he hasn’t been a loner since the earliest days of the character.
Second:
I’m trying to think of the last *major* insert-love-interest-here characters we had in the Bat books that people cared about to comment on… and I think it’s Julie Madison for Amnesia!Bruce under Snyder, and Jezebel Jet as a blatant femme fatale commentary.
I don't think anyone really wants the interchangeable love interests that use to be comic book’s bread and butter anymore; we want *something* either more substantial, or something that serves a further purpose.
Like action, adventure, rogues, and outlaws? Like anti-heroes, femme fatales, mysteries and thrillers?
I wrote a book with them. Outlaw’s Shadow: A Sherwood Noir. Robin Hood’s evil counterpart, Guy of Gisbourne, is the main character. Feel free to give it a look: https://read.amazon.com/kp/embed?asi...E2PKBNJFH76GQP
Agreed.
Though how was Jezebel a commentary on anything? She was barely a character.
"We're the same thing, you and I. We're both lies that eventually became the truth." Lara Notsil, Star Wars: X-Wing: Solo Command, Aaron Allston
"All that is not eternal is eternally out of date." C. S. Lewis, The Four Loves
"There's room in our line of work for hope, too." Stephanie Brown
Stephanie Brown Wiki, My Batman Universe Reviews, Stephanie Brown Discord
I think the idea was: “Here’s an obvious, even in the name, femme fatale, and I’m going to go through the motions with her the way any competent writer would, before revealing that of course Bruce figured it out almost immediately, because he’s the ******* Batman!”
When I say “commentary” here, I mean the kind of blunt “meta-commentary” that so many creators try, and only a few can do well, where the idea is to just toy with audience expectations. Morrison wasn’t be too ambitious with Jezebel, which is why she wasn’t ever really truly fleshed out, but also why she wasn’t as aggravatingly misapplied as other meta-commentary-specific characters (see: almost all of the writing for The Last Jedi’s characters). She was strictly an archetype they wanted to play with, nothing more.
In comparison, Julie Madison was a very specific type of “functional character” - still not really meant to stand outside of the story, and really only functional for a very specific type of “what could have been” story, but still more than just an archetype as Jet was.
But I think both examples, and the way they contrast with Catwoman, highlights what types of “lesser” romantic interests audiences tolerate today, but don’t necessarily enjoy - they’re there for narrative purposes, and that’s it. That's better than the “love interests” David Finch tried to introduce in his Dark Knight book, but it’s still limited.
I think I’d call it the “Andrea Beaumont Rule,” though it was already existing before MotP: Batman fans, male and female, really don’t care about love interests that couldn’t hold their own franchise or series down, no matter how hard a writer tries to make the “mundane love interest” work. We once got invested in Vicki Vale and Silver St. Cloud, but both faded before Catwoman, Talia, The Phantasm and I’d argue even Zatanna, even though she’s never actually been the “official” love interest. Even Sasha Bordeaux arguably backs the point up, since people remember her far more than Vesper Lynd.
Like action, adventure, rogues, and outlaws? Like anti-heroes, femme fatales, mysteries and thrillers?
I wrote a book with them. Outlaw’s Shadow: A Sherwood Noir. Robin Hood’s evil counterpart, Guy of Gisbourne, is the main character. Feel free to give it a look: https://read.amazon.com/kp/embed?asi...E2PKBNJFH76GQP
I was being somewhat sarcastic.
Second:
Well, you know more than me; I assumed Talia had been the last major one before Catwoman got really solidified.
Probably not, although I'm pretty dang sure that some of us don't agree. Case in point, while I only heard about it, I kinda liked the idea of Nightwing ending up with reformed vandal "Defacer" more so than Barbara Gordon; meeting your significant other on the first try is less common than it being someone else later down the road, the idea that his showing mercy changed both their futures for the better is quite the origin story, and it could make for some interesting team dynamics with Barbara having to come to terms that she missed her chance and Dick figuring out how to navigate the situation. Obviously was never going to happen, but I thought it would've been a cool scenario.
Going a little more into personal experience, I was kinda biting my tongue a bit on some of the threads where people were expressing their frustration with Stephanie Brown breaking up with Tim Drake; as much as it has its fans, I'm one of those weirdos who'd rather see Steph get together with her friend, Cassandra Cain. That might be more likely than the Nightwing scenario (apparently their Future State story was supposed to have them be ex-lovers who get a second chance to be together and take it), but, once again, probably not a majority opinion.
All that said, while I think a lot of fans would like the characters to be in one committed relationship (whether or not they agree who the lucky guy or gal should be), I don't think the writers want that and they're the ones making these decisions.
Doctor Strange: "You are the right person to replace Logan."
X-23: "I know there are people who disapprove... Guys on the Internet mainly."
(All-New Wolverine #4)
Batman#126 preview has Bruce reveal that he
spoilers:end of spoilers
Couldn't marry Selina and afford a distraction
Erm, yes, he was willing to marry her, it was Selina that chose not to marry him, and then said they didn't need to because they were together in their hearts. Research Chip.