I want Stitch and Tempo together.
Also… she should have sewn his eyelids shut.
I want Stitch and Tempo together.
Also… she should have sewn his eyelids shut.
Last edited by danielsan52; 01-26-2022 at 02:05 PM.
TO KNOW HER IS TO FEAR HER: JESSICA DREW THE SPIDER-WOMAN
BE SURE TO CHECK OUT THE NEW 2024 SPIDER-WOMAN SERIES by STEVE FOXE!!!
MISSING:
Synch's Aura
Northstar and Aurora's shiny hair
Spider-Woman’s cowl costume
I didn't expect so see a character from the Muties miniseries again, but here we are.
rco011_wxkel3.jpg
Bringing back the old, killing the young: that's the Marvel way
Is anybody going to make a Kitty Pryde appreciation thread for 2022?
Regarding the Hellfire brats, I feel they should have been traded off to be Champions villains in exchange for something
This is a decent set up, but I am not really a fan of Psylocke here. While I do want to see the fallout from her recent trauma, it was a bit weird to see her be all sad and crying every other panel. I particularly hated the family line in Daken's room. The other thing is now the mystery box is Kitty's story? I know we're just starting to unlock that plot, but somehow this direction feels anticlimatic.
But everyone else was pretty strong, I liked the idea of the main baddy essentially taking advantage of people mixed to negative feelings on Krakoa here, though I hope if they are taking this route there's a fairer take on that side (I prefer the Krakoa era to the fighting for co-existance era, but I don't want the new direction to devolve into pointless online debates.)
Tempo was the standout for me. So I'm on board.
When you describe Brimstone like you it sounds like you're describing most of the Quiet Council. Hell, about a 3rd of the books have been mutants chest-thumping their way through international relations.
I didn't read it as 'we're mad you didn't do things THIS way', at least not with the little information we were given. Its very easy too imagine or even think of there being plenty of humans that really supported mutant/human coexistence, and then suddenly all the mutants vanish and Xavier beams a glorified 'Magneto was right and we're better than all of you and replacing you' speech into everyone's heads. What kind of message does that send to their friends and allies?
Also, hi. It me. The guy who called Somnus a dream rapist. His use of his powers still comes across really creepy here, and the idea that he knows Daken better than anyone because he used a one night stand to invade his mind and give him a happy fantasy is deeply uncomfortable to me. If nothing else its lazy writing to retcon a 'super special most important person' into Daken's life.
And for those who didn't read his introduction, Somnus also has a giant family he left behind. He died of old age surrounded by his loved ones, including children and grandchildren, who I guess just won't ever find out that grandpa isn't dead anymore and is just wandering the world.
Rich brats who think they're above laws and morals and do whatever they please to whomever they please? Yeah, they definitely could make good Champions villains, maybe hiring the likes of the Freelancers for more direct/physical aggressions against the Champions.
The spider is always on the hunt.
Reading the issue I came to this thread expecting the predictable Brimstone love is right rah rah rah non sense
What I was not expecting was everyone calling Somnus a predator like what the heck.
The Somnus scene was kinda weird. Why would Bobby/Christian ask Somnus to send them on a dream prom before going to Ibiza? Why are they sleeping in the hot tub? Why have a giant block of ice in my hot tub? He’s not clicking.
Is he gonna put on shoes before they go to space?
Last edited by Psycwave; 01-26-2022 at 06:13 PM.
Come to think of it. Wasn't this usage of "human" as negative term primarily showcased in Hickman's stories?
Because the first other example that comes to my mind was in his Vault story when Synch went: "Human words. Useless words."
From what i saw Hickman really striked me as the kind of writer for whom the characters he uses are less people and more just chess figures who fullfill specific roles to progress the big game (his macro-plot) he has in mind and if a figure does not fit a certain role, he will bend them out of shapes so they will do (Moira X being the prime example here).
Which works fine in original works, but if it's an allready established universe with well explored characters it can easily result in these characters not feeling like themself anymore or being reduced to specific parts of their characters losing nuance in the process.
Not to say he can't write individual characters right, but that it might have been of secondary or even tertiary interest to him here.
So yeah i wouldn't be suprised if his main interest was on how a society of people with super powers would progress over generation, than with the mutant metaphor of them representing various marginalized groups.
In that regard i can't shake off the feeling, Hickman's intention for Krakoa and the current status quo was to showcase the beginning of mutantkind "losing themself", by moving on a path which would have ended in them descending into a The City (from the Ultimate Universe) style society, becomming similar "post human" creatures as Homo Novissima.
Basicly being on the path of becomming a telepathically communicating hive minded impersonal society, where people are artifical created to fullfill specific functions in machine via their combination of super powers, either individualy or as "circuits".
We allready saw the seeds for this development in the Chimeras of Life 9.
With that in mind, it certainly makes sense why he would have characters use the word "human" as negative term and rejection of "human things" (culture, history, morality, mortality) as something desired, describe mutants combining their powers akin to becomming machines (circuits), showing a disregard for their mortal coils and embracing cloning and alteration of their new bodies as their new natural way of life (the crucible), Xavier being intentional creepy looking and the other intentionaly negative aspects under all the sunshine and green leafs.
But with this possible story being scrapped now, the scenes of heros talking so negatively about "human" things might become even more awkward in retrospective.
Kinda like the first two seasons of Star Trek: Next Generation.
Indeed the concept itself is sound. Especialy when set up against heros of their own age range.
But the Hellfire Kids were just introduced in the worst way, by randomly overtaking a well established organization with pre-existing leading figures, essentialy creating the sense of not having "earned" these positions of power but having recieved them via the "deus ex machina" of a writer trying to push them and then being set up as enemies of adult heros.
Few people like it when their beloved adult characters are outclassed by randomly introduced new kids, who they are then supposed to respect as valid enemies, despite said kids being annoying brats.
I mean, we've seen racists killing mutant allies en masse in the Krakoa era. What, are they not good enough to bring to Krakoa when THEIR lives are being taken, but Sabretooth is?