How difficult is it to find an original story in Gotham City, the most written about setting in comics?
CZ: I think a lot of it is just figuring out new twists and deviations on stories that came before. I like when readers think they know where I’m going and then don’t, like I can play with previous stories and then not do what’s expected (hopefully!). Like, Batman has previously been up against unstoppable foes, but what if he only wins by losing? Or, at the end of an issue we had Gotham taken over by Failsafe, taunting Batman to come take it back. That’s been done before, so what if Batman doesn’t go back? What if he goes to the moon instead? What if the big fight isn’t in Gotham, but a quieter desolate fight with his son in the Arctic?
I had a similar thing with “Daredevil,” where the main thrust of my story was to break him down again, but how could I do it differently? How could I weave his story with Fisk’s in a way that wasn’t like what came before? And have them in different places on the other end of that?
It’s fun! I like the challenge!