Isn’t that the sad reality that Kitty is a true victim of. I mean Claremont at times, Whedon, Guggenheim, Bendis (the worst offender) just loved writing Kitty having romantic storylines with insert male characters of themselves due to their crush of the character. Hopefully that’s been different for a change with the Krakoa era unless I’m missing something.
Character growth??! What is that? We all know these characters’ opposing relationships never develop or change as they are firmly cemented in the 80’s.