Yeah, in some ways, BDW beating Wright to the punch in playing a race-flipped major Batman character over 30 years ago can kind of put The Batman’s diversity in a less exceptional, though still positive, light. The original plan was for a black Two-Face and a black Robin (with a Wayans brother as Dick Grayson), right?
It kind of makes the damning indictment be on the production formula that not only declined doing a black Robin, but dropped BDW as Dent for Jones in Batman Forever - not only dropping diversity, but also a lot of dramatic potential and consistency. And it’s the production formula that I think people should be more wary of nowadays - of higher ups practicing “indirect” racism and sexism by backing up less than laudatory decisions by directors, or by enforcing de facto racism by fiat from above.
WB had to choose not to bring back BDW in order for Jones to replace him. And LFL had to choose to allow and then reinforce John Boyega’s sidelining in order for Driver to be promoted above him. Directors and writers change put while companies don’t.
Two things that I see:
1 - Without a diversity push anywhere in the film’s production… your main villains are still likely to be white guys just like the heroes are, so this is more just the old status quo.
2 - While pushing for diversity in villains is also good… there’s nothing wrong with specifically embracing some level of criticizing white privilege by making the villains embrace aspects of that. At least with that narrative choice, you’re more likely to accurately reflect some racial politics and point out problems in the system; Riddler is an incel white nerd becoming a mass murderer, most of his initial victims exploited minorities and their privilege, and that does, to some extent, give the story a bit of extra realism.
One of the things I hold against Rian Johnson and LFL is how they had a perfect example of a “Patron Saint of White Male Privilege” in Kylo Ren, and instead made him their preferred male lead at everyone else’s expense - the guy was perfectly made to be a soft stand-in for the age of Trump, and arrived a year early while introducing himself via ordering a slave soldier played by a black actor to commit war crimes and then tortured him for “betraying” his fascist cause, (mentally) violating the main heroine in a torture scene that intentionally ramped up the allegories to stuff like the #MeToo movement, and was 100% coded as a disturbed example of rich but insecure assholes…
…And LFL decided that he was the most sympathetic character they could make a male lead.
That’s why I think you have to watch the companies and executives more than the individual directors. If the executives have their heads screwed on right (or at least better) you’ll see stuff like Kevin Feige fighting for diversity in the MCU… but if the executive is even just apathetic about diversity, they’re liable to just give way to racism.