Originally Posted by
Vordan
Unless you’re arguing Gail Simone is the type to pal around with Comicsgate people, I can’t agree. EVS clearly went off the deep end at some point, but he was not always how he is now. He never would’ve gotten a job at DC if he was constantly taking shots at fellow creators back then like he does today. This is the exact kind of Twitter trend I roll my eyes at, “oh I never liked this popular creator, I always knew they were bad.” People did that with Rowling and with Whedon and I can’t take it seriously because it’s so clearly not true. Twitter loved Whedon and Rowling, Harry Potter and Buffy/The Avengers dominated nerd culture, now everyone pretends they never liked either of those two’s work.
I don’t disagree that Johns only cares about his own stuff at this point, that was exactly what I said earlier in the thread.
That’s not true. You’re opposed to Johns from an ideological/moral standpoint. Your criticism of his writing is “he’s an evil right winger who turns everyone he writes into an evil right winger too. You aren’t criticizing how he structures his plots or how he writes dialogue, you’re reading moral messages in his work, claiming these reveal Johns’ personal beliefs, and then making statements about what Johns must be like.
Here’s two examples of criticism of Johns that has nothing to do with morals:
1. He never takes any responsibility for his part in making the DCU “darker”, even though he’s one of the main culprits in making things darker. He’s the guy who made Superboy-Prime and Alexander Luthor into villains for Infinite Crisis. He’s the one who gave Barry Allen his dead mom origin. He’s the one who tossed out classic Captain Marvel for his Shazam reboot and has prevented anyone from reverting the Fawcett characters back to how they were. He claimed New 52 Superman was “distant and alien”, taking shots explicitly at Morrison’s Action run as he did so, yet hypocritically made sure his New 52 JL and Superman runs were carried over into Rebirth. So New 52 was bad and wrong except when it’s his stories. Johns never points the finger at himself for DC’s “darkness” problem, it’s always someone else, Moore or Morrison or Didio or whoever.
2. He’s obsessed with “leaving his mark” on every major DC franchise. Despite frequently making big changes on properties he works on, he never allows others the same freedom to toss his changes if they don’t work out. For example Johns is trying to force his Three Jokers story on everyone despite everybody else clearly not digging it giving a canon name, origin, and family for the Joker. Giving WW a brother is the only major change he did that seems to have been tossed out, but I’d wager he’ll bring Jason back were he to ever tackle WW again because he simply can’t accept that some of his ideas are ****.
Those are two criticisms I have of Johns that make no assumptions about his political or social beliefs. I think John’s wrote some great books back in the day, and I think Flashpoint Beyond is better than Dark Crisis, but he’s had a lot of misses and I detest the changes he makes to some of my favorite characters like Supes and Wondy. But I don’t buy the idea that he’s secretly a hardline right winger, Johns is ironically one of the guys who pushed diversity a lot at DC. He made the first female GL, the first Muslim GL, he wrote Jaime Reyes debut as Blue Beetle in Infinite Crisis, he created Michael Holt, a black atheist who takes over the Mr. Terrific mantle, he turned Mera into the co-star of the Aquaman franchise, he created the Shazamily which added diversity to the previously all white Marvel family, he’s likely one of the biggest contributors to diversity at DC. Very ironic given the circumstances of how he fell from grace.