sure, mileage varies with suspension of disbelief.
again, for me themes are more important. there's a lot of stories in today's market where your determination % doesn't matter in the face of odds (game of thrones) but stories (especially kids ones) where the opposite is explored are ok too. it mattered when i read it as a kid, it might have less impact on me as a... mostly... mature adult.
something like the superheroes fighting thanos in the infinity gauntlet was filled with all levels of bullshit (even with the clever device of needing to win death's approval) that i find forgivable because of the moments it gave us.
a cop watching a procedural on tv or doctor watching a medical drama probably need to compartmentalise in a similar way. i still remember a medical advisor on a tv show informing everyone that what the dr does in this scene would kill the patient not save them but the show went ahead with the unrealistic version. for the drama.
it's not an excuse, just a reality of the job. thinking back over it, i don't know if sacrificing any of the prior story beats for expanding spidey's win adds much? i'd have to reread.He had two bronze age issues to do it, that is a lot of pages he could've used, instead of the one page beatdown that got Spidey the win, so that ain't a good excuse.
there's also the way sequential art functions: the one panel where spidey "explodes into action raining blow after blow" is up to the reader to interpret time-wise and with what nuance. it depends on how active the read is or how charitable (how biased or uninformed we believe the povs on the building's effect on firelord was etc). maybe i'm on the more charitable side?
is this fight the best example of overcoming the odds through ingenuity or circumstance? clearly not. i can see why a lot of people would feel that the writer doesn't stick the landing after what is a pretty interesting premise and build up.I mean, Spidey has defeated Juggernaut (ASM#229 and #230) and Thunderball (ASM#247 and #248), characters who completely outclass him in power, in ways that are more satisfying while the story makes sure to show that they're powerful and way above his weight class (And I'm pretty sure you can make a case about Thunderball being nerfed anyways, but at least he needed a big way to be defeated), by comparison with those, his victory over Firelord is poorly written and really, really lazy.
Also this made me find out that the fight against Thunderball was written by Stern too, figures lol.
the theme defalco presents here is as on the nose as anything he does, but i can accept the depiction of firelord dying the death of a thousand cuts to spidey's unwillingness to give in.