TV doesn't count. Who best delivered The Outlaw Of Sherwood on screen?
TV doesn't count. Who best delivered The Outlaw Of Sherwood on screen?
For me It's between Errol Flynn in the Adventure of RH and Sean Connery in Robin and Marian.
Last edited by Tofali; 10-14-2022 at 04:43 PM.
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The Disney Fox was amazing. I loved that whole movie! Sir Hiss was the best henchmen around!
Costner version was really great movie. He may not have been the best Robin Hood but that was the best Robin Hood Movie.
The Errol Flynn version always made me laugh. You had Will Scarlett a 6 foot tall goofy looking dude dressed head to toe in Red and yet not one of the Sheriff's Men could find him in a crowd?
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I know we can't count TV but the best Robin Hood ever was by Michael Praed on "Robin of Sherwood".
It's by far the best Robin Hood ever.
On the big screen, Kevin Costner![]()
Well, 1991 me would not be happy with 2022 me, but its ... Kevin Costner.
In my defense, I honestly believe that Alan Rickman made everyone on that set better.
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Disney's animal version, no contest.
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I think that’s the best “amalgamated” Robin by far, he’s a true nobleman at heart, but also an earthy troublemaker without coming off as a frat boy.
Flynn’s set the standard but honestly gets lifted a bit by the supporting cast of more dedicated actors. The cartoon Robin on the other hand feels like a cast stand out in a fun, goofy movie. Every time he goes from humiliated at being captured and not above being tender with Marian to angry at Prince John’s presumption, it really gets me.
An underrated and under-appreciated one, though, is Richard Todd, from Disney’s earlier, live-action effort, The Story of Robin Hood. He’s probably the best modern depiction of a yeoman Robin Hoo, with an air of toughness and grit to him, while being another fun troublemaker. He actually never uses a sword in the movie, because he’s rough enough that a knife is his sidearm instead, and Todd gives him some moments of silent, deadly serious intent that give the character greater range than normal.
Kostner’s a weak spot in his movie, though still watchable.
I like Connery’s for what it is… but I tend to think that Robin Hood doesn’t work as well as a tragic figure; I think it might work better in Britain than the US as a concept, which might have some commentary on the different types of class systems the two countries have.
Like action, adventure, rogues, and outlaws? Like anti-heroes, femme fatales, mysteries and thrillers?
I wrote a book with them. Outlaw’s Shadow: A Sherwood Noir. Robin Hood’s evil counterpart, Guy of Gisbourne, is the main character. Feel free to give it a look: https://read.amazon.com/kp/embed?asi...E2PKBNJFH76GQP
The Disney Fox version and Men and Tights.
I feel Robin Hood should have a fun swashbuckling flair to him.