Speaking of things that are wild, you are now participating in the legacy of one of the most powerful superhero characters. What can you say about Superman and what the journey has been like for you thus far?
Nothing I can say would be helpful here. Absolutely nothing. Nothing I can say will do anything to improve how this film is ultimately received. I got a big thing: I want people to have their own experience with the art, and I don’t want to step on it. I don’t want them to hear me. I don’t want them to see me. As much as possible, I really don’t want them to see me. I want them to see what we ultimately produce. And so what I’m trying to do is ... I’m not even being coy here.
We live in an era where people — because you have social media and can share so much — the instinct when you’re creating is to let fans in on the process, to let them see where you’re going. And I might could do that after. That might be an aftermath thing I would do, but I do worry about doing injustice to the art.
I just worry that you are, however unintentionally, seeding ideas in people’s head. Now, look, there’s a point where you have trailers and things where I’m going to have to talk about it, but if it were up to me, I wouldn’t say anything ever until it’d been out and seen and consumed and all of that. I don’t want to get in the way. I want Superman to have his chance.
Fair.
I really want him to live. I want him to be greeted. I don’t want me and whatever baggage the narrative of me has to overshadow that. I’ve said things in the past when I was working on things, and I guess this is still true. When I got on Captain America, I wrote about taking on Captain America, and the thing I wrote was, “It’s an opportunity for me to speak, it’s an opportunity for Cap to speak, and it’s an opportunity for me to figure out what this experience is like.” And it’s the same thing here. As much as possible I really would like to recede and hopefully make something that folks feel is worthy.