As others have said, nothing about this story is organic. Nothing about this story is about Peter and MJ and who they are as characters, their histories, or even their world.
It's a wizard - who has only a flimsy connection to Spider-Man and even less of a connection to MJ -- whose powers and motivations fluctuate wildly simply because the author needs to them fluctuate, waving a magic wand and tearing them apart for no other reason except "me want power because me generic bad guy." And that results in wildly OOC writing in which Peter and MJ become incredibly self-centered a$$hats utterly void of empathy, with Peter acting like a toddler in a rage because he can't have the female toy of his choice so he'll settle for a consolation prize, while MJ is cold and snappish for abolutely no reason we can discern so far - or it's because she is being mind-controlled by "chains" which honestly might be worse as it takes away her agency.
There is no care discernable for the characters in the writing, no empathy for the reader and their investment. And becasue that care and empathy is vacant, the story reads as nothing but a meanspirited exercise just to see if the author could tear Peter and MJ apart and make the audience turn on them as a couple and on MJ as a love interest - and to make them turn by explictly calling MJ a
"scarlet woman" - even though it's a reference to her hair, you better believe editorial knows what the phrase signifiest to the audience and Rabin could have used other synonyms for red - and implying that might have been her behavior, even though in a perfect world no one would assign moral failure to MJ. But we're not in perfect world.
Readers aren't stupid. We're very sophisticated consumers of story, we're surrounded by stories from birth and we make sense of our world through storytelling. And we have more access to stories than ever before thanks to streaming video and games and the proliferation of ebooks and social media. We know when a story is being told in good faith, when a story is a sincere attempt to connect the readers with the characters and their world - and when a story has an agenda and is narratively dishonest.