Okay guys, a big one just dropped.
Hickman was a guest on the (excellent) Cerebro podcast, and dropped knowledge for over 3.5 hours on everything X and beyond. I much recommend you listen yourself, but I'm also happy to drop some snippets I'd written down. Here goes:
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Hickman first pitched Powers idea during his Ultimates
Gillen was approached for the initial team
Soft sales of HoX affected the Dawn of X structure: would've been staggered, soft-piloted thru X-Men
Covid expanded X of swords
~Covid time around when Hickman considered his exit. Asked to stay, loved everyone in the room. Understood the sales benchmarks that editorial set before him, and the wokload required, decided against it.
Life-long fan, started with 1980s Dark Phoenix Saga
First horsemen of Apoc were inspired by the opening scene of the X-Men movie from 2016 movie
Apoc as emissary of Lawful Evil contrasts Xavier and Eric
Helped writers brainstorm stories before his exit
No acrimony with where the story’s gone since then
The crucible is the temptation of Christ moment. Personally considers it abhorrent, but knows it’s a compelling story to tell, an in character for Apoc.
Arakko is a Darwinist hell for mutants, a place too Darwinist for Apoc to fit in
12 issue Imperial Guard was about the phalanx, but it fell thru cause of Hickman leaving
Another book fell through: a Marvel universe book. 50\50% split between X-stuff and avengers stuff. Example given was Sam+Berto in Space
Was gonna do new gods at DC, came back to Marvel instead. Thinks the big two can't crack how to do "Grand Jack Kirby stuff." Thinks its because it needs a singular vision, and not a separate artist\writer combo. Also, due to this Hickman mostly divorced Apoc from the Celestial stuff. Liked what Remender did with Apoc, still.
The Moira/destiny scene changing between HoX and Inferno is a play on Rashomon. As much by design, as caused by the rigors of accelerated comics shipping. The Inferno scene is how it actually transpired
Hates the “give the audience what the want” mode that writer fall into. Never works. You can never please everyone. Two bad examples is a sudden power ups to a character, and shipping characters. The omega list was a way to tackle this. The polyamory thing was another. Goal was to get rid of “book X is bad, because character A and character B are together”
Another thing that didn’t stick is clothes changing issue to issue
“Relationships not in wartime” were a priority
On IP Stuff/Contract/Movie rights front, things have changed monumentally in the last ~15 years, for the better
Bendis’s run was constrained on X-men because the company decided the books weren’t a priority
G.O.D.S. Is an acronym. It's more Saga than Sandman, per Breevort
Thinks there’s still meat on the bone of the Marvel comics Universe
Arakko mutants developed different mutations because of different conditions
On Penance/Monet, he tried to rehab her and clear away convoluted history
Loves Gen x
Loves Hordeculture, based them on her Grandmothers and her wives’s grandmothers. The pun in the name is absolutely on purpose
Canon is not what’s on page, it’s what sticks in memory
Regrets that the x-office lost Bryan Edward Hill after Fallen Angels flopped. Marvel failed to onboard him as they have Duggar, Howard and Percy, and so he went to DC
More stuff from him coming. He's been hard at work since Inferno
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That's all I got in my noggin, folks. Excited to talk thru it w y'all!