[Writer's Note: I'm both disappointed and thrilled that no one created a spoiler/review thread for this issue yet. On a more personal note, for the past couple of days, I've been darting to and fro like a cold, hard, numb pinball, going from one task to the next as much in the spirit of diligence as in reflexive avoidance. I just began a career in social work. It's been grueling so far but nonetheless rewarding. I learned yesterday that one of my clients was found dead at a bus stop not far from the agency for which I work. She was in her mid-60s, homeless, an alcoholic and crack addict, and newly diagnosed with HIV. She was also vibrant, seemingly indomitable, and a genuine pip. Part of her introductory remarks to me during her initial assessment included, "I drink a pint of vodka a day, and I ain't stopping. And if you try to make me, I'll eat ya alive." We developed a visceral connection in our short time working together. Detectives are waiting on her autopsy report to determine the cause of death. In any event, I didn't have it in me to focus on comic books today. But something about how Jean's story was framed here spoke to me not only of my own past struggles with abuse, trauma, substance use, and mental illness but also about my client's struggles and our similar experiences of spending swathes of our lives avoiding ourselves. And suddenly, Jean, once again, proved a balm to me, and these thoughts emerged.]
Plot: We see the closing scene of Immortal X-Men #16 from Jean's perspective: Hope attempting to read her mind as Exodus and others stand by on an indistinct desert. Before she can gather her thoughts, Madelyne Pryor crashes through them. They go back in forth in that way that they've done for decades. Finally, Jean wonders what would have happened had she heard baby Nathan Christopher's cry and was able to save him before Madelyne's demons slipped in and kidnapped him. This is the first hypothetical, alternate choice she makes a reality, which results in Madelyne killing Sinister and absorbing—to their deaths—the powers of S'ym and N'astirh, leaving her "thrice powered—by Phoenix. By demon magic...and by [an] oh-so-useful alteration of being." She gains the upper hand, and just as Jean and Scott reach Ship with baby Nathan Christopher in tow, Madelyne descends, killing Scott, and honing in on Jean and the baby. Even powered to the degree that she is, Madelyne cannot defeat Jean. Even fully bonded with Phoenix, Phoenix calls out to Jean. The second alternate choice: Jean rejects Phoenix, unlike what she did during Inferno's climax. "Then die, Jean Grey. As ever, the choice is yours," Phoenix says to her. Just then, Madelyne grabs hold of Jean and begins absorbing what looks like fire from Jean's mouth, noting, "So much life." Jean sends her flying. But then something unexpected happens: Madelyne takes full control of Ship and seemingly the ocean. "I control the atoms that make up this Ship," she says. "They obey my slightest wish...flowing out in a molecule-thin wave, infecting every machine, every organic being in its path. Even you. Now an extension of myself, as I once was of you." (Is this a hint?) Just as Madelyne is about to end the world, Jean exclaims, "No! Enough." And burns away the alternate timeline. She is left questioning her diversions in this series and confronted by the many facets she comprises. "What else should I have done?" The ghosts of her past selves respond: "Why ask us? You're the one that created this mess. Aren't you?"
Commentary: Jean Grey #3 (2023) follows the same captivating pattern as the preceding issues. Vibrant visuals and evocative dialogue tease out and distract from the striking subtext: What Jean is wrestling with is far grander than the Fall of X and even alternate timelines.
After Jean gives her dark doppelganger the advantage, resulting in a seemingly predictable ending, we learn two things: 1) Madelyne’s Phoenix-augmented powers cannot overcome Jean, who barely puts up a fight, and 2) Jean remains the singular apple of Phoenix’s eye.
Perhaps Madelyne, better than anyone else, knows this about Jean and Phoenix, sensing and grasping at a force—“so much energy”—that eludes her but comes naturally to her progenitor. It's potentially both a striking and inevitable subtextual revelation.
And still, one question remains: What follows, or what is left for Jean to do after accepting, evading, and rejecting Phoenix? Is it genuine disregard for it? True union with it? Utter transcendence of it?