Webtoonification, is a good way to describe it, one could argue that this stuff started with Tumblr (where creativity goes to die), and it probably goes back further than that. The revisionist history, the presentism, covering up all the female characters, unless they're muscular, because objectifying muscular women is progressive, somehow.
On May 28, Power Girl comes out to play in Power Girl #9, a “House of Brainiac” tie-in issue. With the Czarnians seizing control of Power Girl’s Metropolis neighborhood, Crush offers herself up as a diplomat to reason with her unreasonable relatives. But these aliens are as corrupt as they are crude and decide they’ll just add Crush their growing number of hostages. Can Power Girl save the day solo, or will she fall prey to Goblin and intergalactic biker gang? Find out in this issue. Written by Leah Williams with art by Eduardo Pansica and Julio Ferreira, with a main cover by Yanick Paquette, plus variant covers by Tony S. Daniel and David Talaski.
“Look, you can’t put the Superman #77s with the #200s. They haven’t even discovered Red Kryptonite yet. And you can’t put the #98s with the #300s, Lori Lemaris hasn’t even been introduced.” — Sam
“Where the hell are you from? Krypton?” — Edgar Frog
"Never assign to malice what is adequately explained by stupidity or ignorance."
"Great stories will always return to their original forms"
"Nobody is more dangerous than he who imagines himself pure in heart; for his purity, by definition, is unassailable." James Baldwin
I meant the art itself, not the composition. The face on the second one for example just seemed a bit off, and her head was at an odd angle. And I personally don't subscribe to the bodybuilder aesthetic of the first one.
As for what PG's become, I don't blame the art, I blame the writing.