First she helps Spider-Man with Armadillo. With some of the most forced dad joke quips ever. Then the two of them help She-Hulk with what looks like the Minotaur? Again with the forced, clunky quips. Then Francine shows up but Miles needs help so Spider-Man and She-Hulk leave (Peter: “be careful.” MJ: “That’s supposed to be my line. Now go!” And that’s the only exchange that even hints they know each other more than just acquaintances). Francine, who has the only semi-witty dialogue in the book, says what we’re all thinking about how asinine MJ’s costume and powers are, they get into a tussle, Francine wins the first round, MJ tries to trick her through acting and Francine sees right through because MJ’s bad at acting (:roll eyes).
Francine then LEAVES to go find the rest of the Syndicate. She doesn’t retreat, she thinks MJ is a waste of time (you and me both, Francine). Then MJ goes after her with again with the clunkiest, hamfisted quips and forces Francine to the ground - at which point Francine causes a bridge to start to break, threatening the lives of the people on the bridge. Which she wouldn’t have done if MJ hadn’t gone after her. So MJ goes to save bridge and lets Francine go - so now the bridge is destroyed AND Electro escapes, great work, MJ. Then Spidey and Jen show up ut of nowhere to help save the bridge, and Peter decides to out MJ’s secret identity to Jen (and anyone who might still be nearby) for funsies, I guess? The writing is super forced.
Oh, and apparently the watch lets MJ can fly now, no matter what whatever power she has. Because the first power she pulls is “vines” and we see vines coming from her hands but she also speeds through the sky like she’s Iron Man which, last I checked, is something vines don’t do. Then she pulls ice, and that also allows her to fly. Then Francine hits her watch and MJ starts to fall. Then after asking Paul to let her have more power, because she has to ask for permission from a man, she draws random comic book-energy waves because that’s what she needs and starts flying agin.
They’ve taken away the randomness - Paul has supposed made it so she won’t draw the useless powers and can only draw the really powerful ones when he takes off the limiter, which is all sorts of icky implications re: women and their agency being limited by men - and the three skulls is also negated as long as Paul controls her watch through his tech.
Paul is presented as the man in the chair who worries about MJ when her tech goes offline or he sees a bridge fall on her, y’know, the baseline of human caring, but he is also supportive, people looking for tension won’t find it. They also won’t find anything else, MJ and Paul have big, “I live and work with my gay best friend” energy. But then, Peter and MJ are also written like former acquaintances meeting up at the 10 year high school reunion. Hard to tell, because the writing is so clunky, if the vibes are meant or not. |