Joel Priddy: But, more importantly for our present purposes, Namor is also a better-designed character.
Aquaman is a super-hero with a sea-theme. Namor is a creature from another world. He hails from the earliest days of super-hero comics, before the mold had hardened too thoroughly, and, so, reflects visual influences beyond the circus-tights of Superman and his legions of imitators. Bill Everett drew on Classical Mythology and fantasy pulp magazines like The Argosy to create a character who is not meant to be another aspirational exemplar of the clean-cut American male.
Namor is a study in contrasts: an undersea prince, he sports Hermes’ ankle-wings; he is exotic, with his slick dark hair, elfin ears, and arched, feminine eyebrows, but his fey appearance is contrasted with the lusty personality of an enthusiastic brawler. And, of course, there’s the anti-hero thing. The guy will save New York from the Nazis, only to tear up it apart himself.
It must have felt a little dangerous to identify with Namor back in ’39.
Priddy: ... and it looks like Namor couldn’t give a fig. And I think that sort of belligerent peculiarity is a big part of Namor’s historical appeal.