Can you tell me where these droves of people are that are leaving various forms of entertainment because dead doesn't mean dead, then? If you're making an assertion about audiences, do you have some counter example?
But that's an entirely different consideration. We're talking about this as fans of the work, not as stockholders or executives. Maximization of quality - an inherently subjective, individual standard - should be our goal.But since neither of us are involved in the meetings at DC/Warners, we don't have any way of knowing what the atmosphere is. Nor can we necessary assume that the attitude one year will be the same the next.
But at the end of the day, it is the responsibility of any company to find more customers, and making changes to the content could turn out to be one way to do that.
I am.I'm not seeing it. I know people who like the movies and TV, but still think it odd that someone would buy comics.
But even putting that aside, the core conceits of the genre have become mainstream. There are all sorts of reasons - price, accessibility, simple lack of familiarity and lack of desire to try new mediums of entertainment - that might prevent people from picking up the actual books. But the stigma attached to superhero stuff has eroded.
Making an assertion that 'this is the way to save comics' or 'this is hurting comics' without any foundation seems...problematic. Perhaps that's just me.Well, because nobody is sure what the majority thinks. We're all speculating.
But I'm not speculating. I'm talking about my own personal tastes, which everyone here can be sure of. Beyond that, we're discussing the notion that there is something inherently wrong with this 'death as a revolving door' method of storytelling, based on internal story logic or individual connection. The former can be discussed in objective terms, the latter can only be extrapolated from personal opinion.