Black Panther Vol. 1 #14 -
The Beasts in the Jungle!
Just because Jack Kirby is gone, doesn't mean Black Panther is done yet. This issue, written by Ed Hannigan and penciled by Jerry Bingham, finds T'Challa in New York. He's inside the Wakandan Consulate. As far as a new status quo goes, this one makes a lot of sense. He's still tied to Wakanda but he has a reason to be in New York City and on the Avengers and all that. In the embassy, he is being questioned by US government officials who are still in shock that (a) Wakanda exists, (b) Wakanda is revealing itself to the world, and (c) Wakanda is really, really important. In many ways, this feels a lot like the final moments of the Black Panther movie. However, since this story was written in the Cold War, the US have a lot of questions related directly to the African politics of the era - particularly whether Wakanda would invite Cuban advisors into the country. I was always impressed when Lee and Kirby created Wakanda that they were willing to create a country that not only didn't choose sides but were shown to be tangibly benefitting from their neutrality. T'Challa made it clear there were important things to learn from working with both east and west. Anyway, T'Challa punts on answering the questions.
After that, the Avengers visit and we are treated to flashbacks to the last two story arcs. In it, they explicitly retcon the telepathic powers to say that he doesn't have telepathy or clairvoyance, just that his instincts were heightened so he can sense crisis points. Frankly, this is nonsense. The last story was explicit that his powers were much more than that. I have no idea why they didn't just say his powers faded over time. That would have been a plausible explanation. Instead, they basically say that his ability to communicate with his cousin telepathically and to sense what was written on cards while blindfolded was just some heightened sense to ability to sense crisis points. Even though I didn't like him having those powers, that's a pretty lame retcon that's pretty insulting to the reader.
T'Challa is out on the streets at night and sees a man he recognizes. As he follows him, the man is atacked by a racially diverse group of muggers. They're the Thunderbolt gang, who can also be seen in Daredevil 69 (a team up with Black Panther I might cover later where Turk was allegedly introduced). Although we can't see it at first, the muggers are shocked when they see the guy's face. One gang member, Herbie (the not robot) is less impressed and shoots the guy, which prompts T'Challa to jump in. He's pissed off at a society that lets children become killers and then promptly beats up the child in question. However, the stranger had a weird arm cannon thing that one of the gang members uses to knock everyone out. I'm burying the lead on what the arm cannon was but, if you're surprised, go look at the cover of this issue because ... the stranger was Ulysses Klaw! Fortunately, he's in a coma. T'Challa decides to take Klaw to Wakanda to analyze his condition and so he can stand trial for his crimes (damn comics, why do you have to keep ripping off the movies?).
First, he needs to retrieve Klaw's sound horn. Meanwhile, we're treated to a reappearance of Monica Lynn and Kevin Trublood, last seen in the Panther v. KKK that ended mid-cliffhanger when Jungle Action was cancelled. My recollection is this story has a terrible ending, but I'll find out in the next few weeks (maybe I'll give a quick summary of the story so far). They're being stalked by a man called Windeagle. Anyway, T'Challa is stalking the Thunderbolts. This is the next generation, which is less political but far more violent. Anyway, they found out a way to harnass the horn to create creatures of solid sound. If this seems convenient, it also seems clear that one of them is now possessed by Klaw. Anyway, T'Challa is over his head but is fortunately rescued in time by Captain America. Greatful for his help, they decide to team up in issue #15.
This issue feels like a jumping on point for people who weren't reading Jack Kirby's Black Panther. It's a new status quo, it has a retelling of T'Challa's origin, and it brings back his oldest villain. If this were a modern comic, it would have a new #1. Then again, if it were a new number one, it wouldn't get cancelled next issue. There's a lot of the modern Black Panther here - particularly in inspiration for Christopher Priest's run. T'Challa's bold path for Wakanda and unwillingness to stay hidden to preserve the status quo scares a lot of people, including Captain America. It seems clear Wakanda has the ability to become a world power if they wanted to and everyone is alarmed that T'Challa seemingly wants to.
Overall, this is an extremely dense issue if my review is any indication. But the new status quo feels better for the Black Panther. I know it all falls apart, but I thought this was a good story overall.