Previous review
Welcome to part 16 of our Weekly Collection Reviews! This time, victor is taking a break and I am doing the review. Like the other times, I had intended to review a different comic (in this case The Bulletproof Coffin), but I changed my mind at the last moment. Instead, I am going to review Change, by Ales Kot, Morgan Jeske, Sloane Leong and Ed Brisson.
Maybe you have heard of Ales Kot. After all, he is what you would call a rising star in the comics industry. Well, maybe he is not that famous, but trust me: he is going to be big in the future. Nowadays he writes the best book about spies in the market (Zero) and Secret Avengers, which is Marvel's funniest book alongside Superior Foes of Spider-Man. But enough of introductions!
Change is a difficult and complex comic that forces you to always pay attention and benefits from multiple readings. What Kot has created is a multiple-layered narrative, a puzzle that gradually unfolds the more you read. Granted, this is not an original concept, but it is everything that Kot works with that sets the comic apart. Lovecraft, astronauts, a love story, rappers, living tumors, pop references... All told using the possibilites the comics medium offers. In some ways, Change could be described as a comic David Lynch would write, especially when it comes to the story's atmosphere and the use of symbolisms.
If you are reading Change for the first time, prepare for what seems to be a chaotic mess. Like I said before, this is a difficult and complex book. You will have a hard time understanding what you read, but the next time will be a different experience. You already know what will happen at the end, right? Well, then concentrate on the scattered symbols and how the different panels and text boxes connect to each other. Yes, Kot went that far.
With such a story one needs a good artist, someone skilled enough to convey all that information with a smooth narrative. Thankfully, Morgan Jake is that artist. Just look for preview pages.
Avoid this comic if you dislike this kind of narrative
Colorist Sloane Leong and letterer Ed Brisson deserve some credit, too. Color and lettering play an important role here: the former emphasizes feelings and objects, while the latter is essential to undertand the story (a badly placed text box could be fatal).
Are there any flaws? Yes. The comic could have benefited from more pages and decompression and Kot's writing needs some polish. But don't let that intimidate you! Change is an underrated gem.
Read it so you can say at the very least that you were there when Kot and Jaske were still newcomers!