THE BEGINNING
PETER FRANKFURT (PRODUCER): This is what you need to know. Basically, Blade is a three-legged stool: [David] Goyer wrote the script, Wesley was Blade and also a producer, and Stephen Norrington the director, he was really the guy, the auteur.
WESLEY SNIPES [PRODUCER AND STAR]: It was kind of serendipitous you know? We were talking about doing Black Panther. But that didn’t come to be, and we never lost the appetite to play in that world. So Blade seemed like a pretty good replacement. Fairly good, I mean — I don’t know if you can take vampires and replace Wakanda. But at the time it was a cool thing. [Laughs]
DAVID GOYER [SCREENWRITER]: I’d been kicking around doing Van Damme movies, that kind of stuff. I had heard that New Line wanted to make a lower-budget black superhero film. At the time Marvel was in bankruptcy, and they’d already sold the rights to X-Men and Spider-Man and a few other things, and I knew they were thinking about Luke Cage, Black Panther.
FRANKFURT: The idea was we would come up with a script for an under-10-million-dollar movie that would be tough and street like Juice — kind of a hip-hop Marvel movie.
GOYER: I suggested Blade, as a trilogy. I remember I came in and said “I’m going to pitch you the Star Wars of black vampire films.” So I pitched it as this racial animosity between the purebloods and the turned vampires, the young Turks like Deacon Frost. And at the same time I wanted to talk about race in a subversive way, and it played into this half-breed idea, if you will — to have one foot in each world and not be accepted by either one.
FRANKFURT: We kept adding scenes like the blood club, these big action beats. And when we finally handed it in, it’s not like any superhero movie anybody’s ever seen. It’s got elements of kung fu, it’s vampire, it’s a genre buster. The bad news is, it’s freaking expensive.
GOYER: At one point the [studio] came to us and said “can Blade be white?” and I said “absolutely f—ing not. Like, that is just terrible. You cannot do that.”
[New Line studio head] Mike DeLuca said “I’ll make it for $40 million if you can get Denzel Washington, 35 if you can get Wesley Snipes, and 20 if you can get Laurence Fishburne.” And that was it. We wanted Wesley.