Originally Posted by
Dzetoun
Yes, that is interesting. I think we probably have to be careful about reading too much too quickly into decisions about the trades. A contact of mine in the publishing industry once told me there are all kinds of technical and marketing factors involved in putting them together that are pretty much invisible from the outside. For instance he pointed out that they are conceived as sets, and for a set of books like that it is just a lot more efficient if you can keep them all more-or-less the same size. It just makes the physical manipulations involved, the printing and binding and packaging and shipping and even the display on the bookshelves, much easier.
Having said that, I do think it's clear that they were setting up a certain kind of story in Nightwing 30. We have the dialogue during the Bat Brawl (about how things were never going to be the same between Dick and Bruce again, Bruce is prepared to make that sacrifice, etc.), the visual clue of the picture of Bruce and Dick being askew, and a lot of the early interviews about Dick and Batman fighting a lot, etc. By Grayson #4 they had stepped firmly back from those themes, and the Secret Origins segment doesn't just ignore them, it stakes them through the heart. It is my strong suspicion that, in this case, the boundary between the trades really is narratively significant, and Nightwing 30 is in the same world with Tony Zucco and Raya Vestri, that is with all those distressing family matters that polite people don't talk about.