Originally Posted by
Panic
I don't even know where to start with that. Brian was an oversensitive intellectual damaged by his parents' accidental death, making him somewhat introverted and leading him to be bullied by macho types such as Jacko Tanner, who considered him a milksop (I don't even know what that is). This is all in the early issues. No alcoholism, ego, or any of that crap - he was a fairly straightforward superhero power-fantasy based on the Spider-Man/Peter Parker model. And you know, normally American writers at the time tended to write British males as pompous and old-fashioned, usually very upperclass and either wimpy or arrogant, so it was nice to get a British hero who was cool and got to do cool stuff.
In the Moore issues the character was written as more complicated. Sometimes impulsive, sometimes stubborn, nearly always thrown in at the deep end, and continually caught in the machinations of forces more powerful and better informed than himself. Complex? Yes. A little flawed? Yes. Always a good guy, though, and a hero. That's who he was written to be - a hero for the British Marvel fans.
And there is a basic theme that runs through Moore's issues (and indeed the later Delano/Davis ones, too): no-one is perfect, and everyone who is overconfident gets slapped down. You see it again and again: Brian against the Fury "You're pretty tough, chum, but ..."(gets slapped down), Saturnyne mocking Brian's performance against the Fury (her Avante Guard doesn't even get its attention), Wardog doing the same thing (gets arm ripped-off seconds later, Legion killed), Slaymaster mocks Brian's defeat (flies headfirst into wall), even Merlyn is not immune(chess game goes to hell, hands burned, dies), and of course Betsy is overconfident against Slaymaster (gets blinded). This is a basic theme of Moore's Captain Britain strip, and though later US writers chose to take bits out of context to say that Brian is overconfident and arrogant, this was pretty much everybody in the strip.
In US Marvel we've seen him written as a stereotype of the British upper-class male, written for an American audience who wants to see the character slapped down. So we have an aspirational and empowering hero created to represent the British audience, that developed fans after an award winning comic-strip which developed the character and mythology, brought down low by American writers, and kept down there. Do you not see how that is problematic?
You don't see Tony Stark's alcoholism for a reason. It's too much, and besides, it didn't crop up until decades after Iron Man was created.
And what were Steve Rogers' flaws again? He is a hero without flaws, yet audiences like him and find him interesting, and particularly American audiences absolutely love him, and with him being a flawless, empowering hero that represents them, it's not difficult to see why.
And where are Betsy's flaws that she is overcoming? As she is as privileged in upbringing as Brian, plus is popular, beautiful, and powerful, doesn't that make her story "boring".
You don't have to make Brian the jerk that Claremont turned him into in Excalibur to make him interesting. I've had far too much of that from American writers, and it stinks.