When I first saw "The Phantom of the Opera" (Gaston Leroux), I fell in love with the medium of entertainment.
You have a story of a pseudo-madman so obsessed with self-image and the haunting quality of unrequited love of a woman that he becomes a society spook.
Women can make men do almost anything, and great works of history-extracted literature such as "The Illiad" (Homer) speak to this.
This is why the strange Mr. Freeze (DC Comics) is such a potent adversary of Batman and such a symbolic villain in Gotham's world of the criminally insane.
Mr. Freeze was a respected scientist until a freak accident led to a catastrophic alteration for him and his wife. Pathetically dependent on cold temperature to keep his vital systems smooth, Mr. Freeze works like a mad scientist on a cure for his beloved wife while exacting maniacal vengeance on a society he deems responsible for the terrible condition of his wife.
Mr. Freeze haunts Gotham and fans of Batman. Gotham is a place of brooding and urban shadows, and as Batman scrambles to maintain justice and sanity, bizarre demons such as Mr. Freeze rise to power to terrorize Gotham and unnerve even Batman's sense of mental satisfaction.
Mr. Freeze serves as an emblem of the age-old theme of haunted vengeance and is an art symbol of our modern age of urbanization-catalyzed values paranoia.
Mr. Freeze is Gotham's ultimate 'Phantom of the Opera,' reminding people of the eeriness of desperation and the dangers of vigilantism, which is why perhaps he often seems more romantic and sentimental than the valiant Batman.
I wish an eccentric film-maker such as Alfred Hitchcock made an offbeat Batman film, perhaps starring an unusual actor such as Montgomery Clift as Batman and a flip-side offbeat actor such as Charles Bronson as Mr. Freeze.
If our society was more confident about discussions regarding criminal insanity and the terror it produces, we would see more vital society Batman mementos such as Mr. Freeze postage stamps.
The Phantom of the Opera
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