This is a real problem, and I'm glad someone is talking about this finally. Maybe it's our modern age of violence-glorification media that is drawing attention away from do-gooders and towards mischief artists and crooks (and villains). It also seems that the Hollywood (USA) adaptations of comic book media find great acting performances only in the villain roles.
One way to approach this problem is to talk about storytelling itself. For example, does the hero Green Arrow (DC Comics) remind us of the social appeal of Robin Hood? Such a question could bring more intellectual interest in our comic book superheroes, especially the socially symbolic ones such as Batman who has the odious task of tackling criminally insane villains who almost always draw empathy away from the Dark Knight and towards themselves. After all, criminal insanity is very complex and sometimes difficult to prosecute.
We just need more good storytelling about the value of heroism:
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A Dark Knight
"A masked psychopath stalks young American women in London on Valentine’s Day.
A bright young detective working for the British police force decides to tackle the eerie case.
This detective, named Ethan, believes the Valentine killer is a man haunted by the demons of betrayal.
Ethan feels that the Valentine killer is devastating the morale of London, so he decides to create a special pseudo-vigilantism crusade.
Ethan begins to write columns in the London gazette about the value of English pre-schools teaching children the peace-motivation qualities of water-guns, war/violence-themed toys that actually promote alternatives to rage and crime.
Ethan’s weekly column becomes a real success and gains populism notoriety and social popularity.
The Valentine killer notices that this column is raising the morale of London and, one day, follows Ethan home from the police department, sneaks into his apartment, and kills him.
The tragedy is terrible, but the people remember the social value of Ethan’s work with his special water-gun crusade and begin vigilant neighborhood watches to seek out and trap the Valentine killer.
They succeed and the Valentine killer is arrested.
Did Ethan’s heroic work illuminate the modern urbanization-paranoia related artistic demand for vigilantism-inquisition pop literature such as the American comic book Batman (DC Comics)?
Maybe Ethan was Batman…"
Batman: Year One
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