Originally Posted by
Oberon
Yes, if The Ray really needs to *oh so disingenuously* ask the question while trying to once again tell everyone how much of a slut Sue is/was/will be - he will never get nuance, subtlety and context.
For one, the 1234 set is not truly set in actual continuity. Its pretty close though, to somewhere in the first 60 or so issues. Or at least some wonks have tried to tie that in there.
But yeah, the whole scene is a metaphor for Sue's feelings about how much Reed may really love her.
I loved this series too. Very moody and thoughtful.
Call me a child of the '60s. Call me a hedonist, or possibly polyamorist, but I really like the sense of Sue's attraction to Namor. I'm pretty sure I could rationalize how they finally get together, but I don't have to. I can deal with Sue being Reed's one and only and vice a versa.
Fantasy is for my own thoughts and moods. The story can help but it also is written with a specific purpose.
I think The Ray should stop thinking that this is sooooo very important.
If you want a story where a good character stays good (as you see it) but nothing really changes at all for any characters than you should be reading Ayn Rand, perhaps? Serial literature, as I've tried to explain many times now, is not like that.
Characters will constantly change and their roles to each other will change. That is why you can't make Namor into a horrid blot on humanity. He's been written too well for that and you'll just have to accept that. Likewise Sue is no different from any number of other serialized characters who have attractions to people they shouldn't, perhaps.