Originally Posted by
vitruvian
No. Peter Parker had a brief bout of fame and fortune before Uncle Ben died and he truly became Spider-Man as a superhero, and ever since he's been mostly struggling, so this would not be 'back to form'.
Not back to form for any of them.
Tony Stark remained a weapons manufacturer for years after becoming Iron Man, then wasn't one for years; it doesn't define him either way. The current turn of events could be seen as a return to the movie version's origins, but not 'back to form'.
Reed Richards was never chasing monetary reward, or even fame, and while his friends and family have suffered, he's never been the cause of that except the one time with the shielding.
Even if Steve is suffering for dogmatism, that would be a new thing, not part of either his origin or his usual state.
T'Challa neither started out nor spent most of his career having lost his country.
Thor didn't start out unworthy, as the first time we see him it's because Don Blake was worthy, and he wields the hammer just fine through most of his appearances.
No he didn't.
Too tedious to go point by point. You don't seem to know what the phrase 'back to form' means, which is 'back to the way they usually are', not 'back to their origins'. In addition, you're just 100% dead wrong about the details of many of their origins or their usual status quos.
Except they're not doing that, as detailed above, and even if they were reverting the characters to their status pre-origin, to characterize that state as their true colors is wrong. In addition, not all of these recent changes can be seen as debasement; e.g., what on Earth is wrong with Parker Industries doing research and development for both profit and the public good?
You may think that... but you'd be wrong. It is most certainly not the case that they had no commitments or responsibilities, or that they were like the summer holidays for pretty much any of these characters. Pick any one of them, and I can point out plenty of instances of trauma, tragedy, self-questioning, and doubt throughout the stories of the 60s, 70s, 80s, and 90s, prior to the 2000s.