The way I see it is this: He's Clark Kent. If he lost the secret ID. He's still Clark Kent.
I hope this story is not some morals fairy tale like Immortal Beloved. I hope Pak, Yang and co give it an honest shot. It may all go back to status quo, but Clark has to see that he can live like this.
I'm tired of Superman losing his humanity for varied reasons. I want Clark to win sometimes. I hope he sees that he wont become a murderous dicator if he's forced to live like this.
I liked the story. I'm interested to see how this plays out. In the past we kept having those Silver Age covers where Superman's identity would often be revealed under crazy circumstances. Now we actually get to read a story about it. Although I wonder why would Clark stay at motels and not in his Fortress. I suppose because of his lower power levels, so he needs to be close to where the action is or an emergency might show up.
Clark Kent, Superman. He's still the guy (yes, this just gives me the excuse to post this brilliant picture from AC #41 that Kuder posted the other day).
Last edited by AwesomeUsername; 05-02-2015 at 10:32 PM.
i wonder if he will get his secret identity back after this... but that head clap... Most. Epic. Fight. EVER.
Well, that was good.
I mean, it's just a beginning, but I liked it. What surprised me the most isn't the character development, but the setting and the tone. It's very "urban", much more than any Superman story in recent years. Maybe it's because of Romita jr, but I sensed a Nocenti 's Daredevil vibe here and there.
Last edited by Myskin; 05-03-2015 at 01:42 AM.
By the way - Spoilers about the JL story in Divergence
spoilers:end of spoilers
In one of the glimpses of the League's future, we see Clark erased from existence by the Anti-Monitor
I wonder if that's the way they will put the genie back in the bottle, with the umpteenth Superman reboot. I hope they won't. I mean, in Divergence, maybe for the first time ever, Jimmy Olsen makes sense as a character.
On a smaller note, I kinda wonder what makes Clark goes from "hiding his features as much as possible" to " walks around wearing his emblem on his shirt all the time". I mean, we don't even know if the costume we see on that preview is the T shirt or not. So, is it somekind of statement? the way he chooses not to hide anymore? Does he decide that, instead of hiding, he should proudly disclaim who he is?
Hold those chains, Clark Kent
Bear the weight on your shoulders
Stand firm. Take the pain.
Wait...that looks like he has his regular suit back there. Unless that is some flashback scene, is it possible that the tshirt and jeans look may actually BE his new "clark kent" look, I mean as his casual clothes when he isn't doing regular Superman business. So maybe he has a sort of dual identity still.
Tshirt and jeans look: Clark Kent, Superman of the people?
Kryptonian suit: Kal-El , Galactic protector?
I mean, yes the world will know it's the same guy, but different jobs and scale of feats may require different "uniforms".
Agreed. I'd say this was a 'solid' start.
Rather than urban - which comes from the art more than anything, in my mind - what I'd say is that it's a very human, very character driven run. Everything here is naturalistic, grounded, real. Even Morrison's Superman wasn't that -- it was filled with his usual bombast and energy and sprinkled liberally with sci-fi stuff.
This is very straightforward. I got a strong sense of the characters here, of where they were and what they were feeling, and I liked them all. You can see Lois kind of desperate to fix things with Clark, and it's heartbreaking. We've all been there, the futile gesture, the hope that it is the first step to making things okay between you.
Just very solid and characterful. I dug.
I think things are more complicated than that, both in the real world and here. Having the moral right to do something doesn't make it the right thing in a context of a friendship. Apologizing for the impact of something you did on another person is what it means to have empathy. And holding these kinds of useless, prideful lines when you see a friend is suffering and you see your relationship withering is unrealistic and would be, in my opinion, pretty stupid.
Right, okay then. So why isn't the scene emphasizing how hurt Lois is that her best friend lied to her and may have hypocritically accused her of having a lack of journalistic integrity in the past during a time he was writing stories about himself? If the relationship is withering because Clark lied and because Clark is butthurt because his friend did the right thing, then he's just being a jerk. There's no reason for Lois to apologize to a liar, a hypocrite, and a jerk.
Also, people seem to be glossing over Lois saying, "I should've found another way." That line really says to me that there was more to her revealing the secret than just a story. I think if anyone's in danger of looking bad here, it's Clark since Lois' reason may have been too understandable.
Last edited by Conn Seanery; 05-03-2015 at 11:05 PM.
You will need a miracle to defeat us, mutant! You are severely outnumbered!
My brother's the one who cares about numbers.
THUNK
I'm the one who believes in miracles.
Look at this:
Lying=jerk
This relation hasn't absolute value in real life. Well, it doesn't have absolute value in sophisticated comics based on credible human relationships, either.
People may have good reason to lie, and other people may have good reason to expose them without necessarily hating them. The mere concept of "doing the right thing" is complicated. The only people who may have sincerely believed in such dichotomous human relationships are Steve Ditko and Ayn Rand. And I seriously doubt that Ayn Rand was ever sincere.