It’s off to a good start.
The story is about how supervillians never stay imprisoned for very long and the collateral damage and deaths they cause and how that affects victims’ families.
Garcia Lopez naturally comes through with exciting, crisp visuals. His work is detailed without being cluttered. Realistic without being humdrum. The storytelling is so clear. You really can tell what’s going on without reading any of the words. Diana’s breasts and a$$ cheeks aren’t spilling out of her costume. No gratuitous sexy poses, yet she’s beautiful and graceful and powerful. Some recent Sensation artists have seemed to want to draw Diana as a very (ahem) ordinary looking woman.
But (and this may surprise no one) the shadow of Batman is still with us. The Scarecrow appears briefly and later Diana muses on how a regular person might become a crime-fighter and one scenario she comes up with is a description of Batman—although she doesn’t actually use his name. We just can’t escape this guy!
I like how Beechen writes Diana. She seems smart and compassionate. She has a touch of the “outsider” about her, but unlike some other writers he doesn’t make her seem too haughty or tough or snarky.