Many people believe many things, I don't see how that should be a factor when judging someone's work.
Many people believe many things, I don't see how that should be a factor when judging someone's work.
If the Fixer is 100% his mouthpiece, why does Miller write characters into the story who can tear apart much of what he says? Or, make it obvious that the Fixer has some psychological and sociological hangups before the terrorist attack even starts? He wrote not-Catwoman in there as a sort of conscience for the Fixer, that to me, then, means that he has a broad enough perspective to be able to write the things she's saying as well.
No offense taken. I really didn't/don't mean it that way.
I'm not happy with Holy Terror. I'm not happy with many of his decisions, there, but when we see characters actively criticizing the racist, jingoistic, and exceptionally sexually repressed lead, I think it's okeh to start reading it as if Miller doesn't 100% believe him, either. Miller may still be racist, reactionary, and ignorant, and the book itself certainly seems to be.
Patsy Walker on TV! Patsy Walker in new comics! Patsy Walker in your brain! And Jessica Jones is the new Nancy! (Oh, and read the Comics Cube.)
I like Cry For Justice too! I like that it was an exploration of what justice meant and how it pushes that concept, while at the same time acknowledging that it wallowed in its grim-dark excesses with moments like Ray Palmer's hilariously bad "Welcome to Pain" and that the characters say the word Justice!!! way too many times (I made a drinking game out of it actually). I love it, but I acknowledge it for what it is and understand why people don't like it. I don't go "Well obviously the subtlety of the themes went past your head" (thats an actual quote I remember reading from someone defending it). Its seems the default for arguing with people who's points you know have validity so you undercut them but telling them they just don't get it.
I used to get that from fans of Final Crisis all the time. "You don't like it cause you didn't understand what it was REALLY about". Noooooo, I understand where Morrison was trying to go I just didn't like the story.
Not a jab at you btw THC, you seem like a reasonable person. I was just speaking generally here. I have no problems with anyone liking or hating any story, its just the revisionist nature of some fans that I don't like.
Patsy Walker on TV! Patsy Walker in new comics! Patsy Walker in your brain! And Jessica Jones is the new Nancy! (Oh, and read the Comics Cube.)
I unapologetically like Cry for Justice. Prometheus has always been a favorite villain, and he proves to be among the most vicious and calculating. But he underestimates the "code" by which the heroes operate, specifically Ollie, and get's one of the most satisfying ends I could think of. Simple, to the point. "Justice". F**k yeah. Lian's death. Roy's " I can't feel my arm". Congorilla and Starman. The art. I think it's a great book. People compare it to Identity Crisis in tone, but there again is another book I love that most seem to dump on. I like it when my superhero books get heavy. If the stakes never feel real, and I'm not willing to shed a tear for some pictures on paper, then why am I reading them? I want my emotions to ran the gamut with fiction: the thrilling, joy of victory and the occasional downright dirty feeling of failure brings a welcome bit of levity to the DCU.
I'm not too interested in this, not because of Frank Miller, but more so of the diminishing returns of doing sequels to projects that needed not sequels and Brian Azzarello. All-Star Batman and Robin is pure awesome and far more interesting than what DC was publishing with Batman proper. With Jim Lee on the book, maybe the readership at large was expecting a mainstream Batman tale and Jim Lee is typically drawing mainstream superhero comics but get the Hyper-Noir plot and dialogue from Frank Miller. I chuckle imaging the strict DC/Marvel reader having their brains explode reading All-Star Batman and Robin.
To whomever posted the Fourth Wall videos on Holy Terror..... good lord how obnoxious.... at a point the "reviewer" became so aggressive in bashing Frank Miller and Holy Terror both turned into the victim, which was shortly after back-patting himself after informing the viewer of a series bad reviews he gave Miller setting up his prejudice against the material. I recently read Holy Terror for the first time and it's okay. Not Miller's strongest work, by far, but not worth joining the Internet Brigade of Shaming to character assassinate the guy on social media, videos or message boards. Also, it's perfectly okay for a writer to explore characters and worlds with no redeemable values which do not, in part or in whole, reflect the author's worldview of any particular subject matter.
Yeah, I can't take anyone who posts a link to an Internet reviewer to do their arguing for them seriously. Especially when the reviewer is an agenda driven fool like Linkara. His fans are obnoxious.