Originally Posted by
Keeper of the Crows
You raise a very fascinating and interesting question. Kudos!
On one hand, I have a great deal of sympathy for any writer working in comics with so many years of continuity. In the case of Spider-Man, there are hundreds of issues of Amazing, not to mention satellite titles, miniseries, and spinoffs.
I’ve also enjoyed a lot of Slott’s work, especially the Spider-Man/Human Torch miniseries and his Big Time and Superior runs on the title. He seems to have a genuine love and passion for the character and they mythos.
But I will say that sometimes it appears that his application of continuity is subversive. Or at least, he decides what continuity is important (Marla Jameson helping to build spider slayers) versus “continuity is a minefield” (Daniel Kingsley’s super strength). Sometimes I suspect this is based on what Spider-Man stories he enjoys and prefers himself. But as the writer, I guess it’s his prerogative to play with established continuity in order to create the status quo he wants to tell stories from, even if it’s frustrating to those of us who are continuity-minded.
For me anyway, sometimes you have to take the good with the bad. I enjoy Slott’s fast pacing, his out-of-the-box storytelling, and the enthusiasm he brings to the character. So I can overlook occasionally hammy dialogue or selective use of continuity, unless it’s particularly egregious.