Originally Posted by
ohsnapulon5000
I agree with Furious, to a degree. Moe should stay gray for a while. Like, I've never gotten why people immediately liken her to someone heroic or altruistic because honestly that's never been where the character has come from. Is she evil at the core? heck naw! But like, read between the ines and you can decipher that she comes from a family that has always been mired in a kind of secretive, money washed, clandestiny, background and the character herself has more than once been telegraphed as only being an X-man, or doing "hero" work because it serves her at the moment or because she's bored. MONET IS BORED, ya'll. She's the poster child of ennui.
Literally the most positive thing that's come out of her mouth in regard for why she even works on a team is because she's sees them as her team, like a sports team that she's competitive with, and feels responsible for their victory as simply by the inclusion of her being. She's not a hero because she's particularly concerned with saving people, if it happens, sure, she chalks it u to her overall superiority, but ultimately it's things like crime against culture, crimes against decency, crimes against good taste that insult her and motivate her actions. Monet is like a shark, she has to keep moving, keep her talents in use or else she dies. The creeping sense that she really is the disgusting monster she knows she is deep down (now made pretty literal by Bunn) would totally immobilize her. Once, she romanticized death, and would actually look towards suicide to alleviate her self loathing, but now that she's been dead and knows that nothing particularly interesting happens, she doesn't even have that. That's why very very visceral things like beating people to a pulp, flying at break neck speeds, courting a madman are the juicier tidbits that keep her going. She's definitely one part Margot Tenenbaum, One Part Jailbait from Incorruptible. The petulant child act is a real thing because part of M's childhood was robbed with her being imprisoned at a young age, and yeah, that creates kind of like this brat from hell attitude that is only tempered by her need for refinery.
People always make this comparison to Monet and Emma and I barely get it. The division there is this: Emma Frost can actually experience joy. Monet, can't. Sure she can be pleased with things, she can find things amusing, but the character was patently designed NOT TO FEEL THINGS emotionally, physically, sometimes mentally- access to her receptors are cut off and I feel Lobdell did a pretty good job of laying this out without spelling it out. That's why she lost it when Synch died because she was for the first time, really, really close to actually experiencing a genuine emotion and then it was gone. She's got a line of sight dependency on people's feelings which is another reason she hangs out with people that are diametrically emotionally opposite from her (Siryn, Jubilee, Rachel, all emotional firecrackers) and also probably the reason Monet St. Croix has probably never had an orgasm. If they retconned it to where her multitude of powers only worked if people were directly looking at her, I would actually accept it.
Her big fat tragedy also being that Monet is still a patently handicapped character in that She probably doesn't learn anything from these horrific events in her life. She's seen what it's like to have her soul eroded from the inside and replace it with pure ego. It's always her against the rest of the world in some way because she's built to take it on. No suprises, No thrills. For Monet St. Croix, Paris is always burning.