Originally Posted by
Lord of Narrative
I'm sure this will come off as a rant, and possibly inflammatory to some, but it simply must be said. Why do creators feel like she has to be tied to WW2, and usually to the chagrin of her mythos?
Young Justice did it, Bruce Timm in the JLU cartoon did it, and now it seems that the DCEU might be doing it, too. Why?!!!!!!
Yes, she first appeared during this era, but was Man of Steel, or any other major Superman adaptation in the last 30 years set in the Great Depression? What is Batman suddenly pulled out of couple of glocks and starting popping caps in the "punks" of Gotham's underworld? And of course, we can't forget Billy Batson's rather "colorful" achievement in the Golden Age of painting himself to resemble a blackface golliwog. Why didn't Geoff Johns bring THAT back?
It is so lazy, because the second that she's in WW2, all she will fight is Nazis. Especially if this is the case in the DCEU, as nothing she would have done would have been noteworthy, seeing as how MOS was the catalyst for public superheroes in this universe.
I will admit, for the most part, I generally despise Pre-Crisis Wonder Woman, and say that the only mistake Perez made was oldening up Steve Trevor. Why are mostly Pre-Crisis elements being used for WW's film debut? Her best stuff is from the Post-Crisis era, everyone knows this. It's bad enough that we seem to have to sit through the idiocy that is Diana Prince (white costume.........beat me now......ugh). Besides feeling the need to kill of Pa Kent, MOS was blatantly Post-Crisis, and seems to be continuing that with businessman Luthor. We can already tell that Batman is drawing from mostly Post-Crisis and Miller written stories. So why is the 3rd member of the Trinity's big live action movie debut using elements from a period of her history generally seen as inferior and outdated?!!!!!!
1. Diana Prince
2. Possible Invisible Jet? ("practically fly")
3. Potential WW2 connection
Why??
Also, you fans do realize that if her origin is in WW2, Steve Trevor will be dead in the current time, leaving her open for BM/WW stupidity? Why must her mythos and supporting cast be shafted?!!!!!
They could have easily adapted Gods and Mortals, updating it from the Cold War to either Middle Eastern, North Korean, or even Chinese Yellow terror, with a bit of fear add from the growing metahuman population. This crap is not hard!!!!!
I'm sorry if this is a rant, but I simply can not be excited at Pre-Crisis elements. Bad enough we'll have to deal with Morrison's creepy lesbian feminist bondage Golden Age throwback (not trying to be mean, but that's what he basically said it is) being more than likely hailed as the new standard.