Last edited by InformationGeek; 08-25-2015 at 08:54 PM.
Opinions may vary in quality.
My big article on Mariko Tamaki's Hulk & She-Hulk runs, discussing the good, bad, and its creation.
My second big article on She-Hulk, discussing Jason Aaron's focus on her in Avengers #20.
This has been the trend for a while now. Go to Marvel, increase your profile and popularity, and then jump ship to Image where you get control and rights over everything.
Marvel used to be pretty stacked... but a lot of people have left. I think Marvel readers took the last few years for granted.
Actually no....Marvel and DC go after talent they think that would garner some spotlight. Brian Micheal Bendis...he was best known for Jinx and Torso. He did some Sam & Twitch (Spawn) comics before Marvel sought him out. His Powers series was before Marvel and even won awards. Marvel and DC don't hire unknowns too often. The majority of them are established creators like Bendis who's work has gone under the superhero radar.
A lot readers just don't know what's out there besides Marvel and DC.
Avatar is everything I mistakenly assumed "mature" comic books were when I was a snobby kid. I never knew there was amazing stuff like Image, I thought it was all in the vain of Crossed, ultraviolence and hypersexuality. Honestly, their books make me cringe when I have tried them.
Also you're right about the sole exception being Providence. It is so jarringly different that I had to double check who the publisher was. But also, the series is set in the same world as his older book Neonomicon, which also started slow but then turned into a multiple issue rape scene.
Yeah, I feel like Marvel had been knocking it out of the park for a couple years with all the good talent they had recruited. Now half of them have left for Image. I would say that the last few years had more good Marvel runs than the whole decade before it, which was essentially Grant Morrison's New X-Men and a zillion Bendis books.
Did Matt Fraction also leave Marvel? I never really caught what all the Hawkeye delays were about, but I don't see his name on any current or upcoming Marvel books.
I don't see Ales Kot on any upcoming books, either. Who does Marvel still have besides Jason Aaron? Don't say Bendis and Slott, that isn't something they should brag about at this point.
Last edited by Ragdoll; 08-26-2015 at 03:22 AM.
Theoretically, the new, young Image-writers they have recruited, will now prove to be just as good as the old guard. Well, hopefully, if Marvel Editorial knows what they're doing.
I SEEEERIOUUUSSSLY doubt ANY of them will be of Hickman's calibre tho' - a mind like his, you only see once a generation. In ten years maybe... but not until then.
Think those delays were mostly down to David Aja, he's just a very slow, meticulous artist. Remember reading that Fraction had the scripts done months ago already. I'm secretly hoping those two will do some work of their own one day, maybe at Image or Dark Horse. It would take forever to come out obviously, but the wait would be worth it.
They were on David, yes. Marvel also delayed the last issue because it wasn't a priority anymore. Hollingsworth had other priority work to color so it got delayed there, too.
I'm almost 100% certain that we can expect a Fraction/Aja Image book in the next year. I'd be shocked if we didn't. The Image 'arc-skip months-arc' format so many are using lately would really suit Aja's slower pace.
I'm the exact opposite, I feel like he gets better with age. He seems to loose grip on reality more and more every year and write weirder and weirder stuff.
I also realize he does very niche stuff and totally see where people could be turned off to his new style. Now that he is a "comics legend" (Rolling Stone magazine) nobody tells him what to do. So his work isn't as mainstream accessible. But to those who love his style, it is a blessing that books like his even exist. He's the one dude who can write superhero books for the Big 2 that rival Watchmen IMO.
Best wishes to his family. I'm glad that he's doing his own thing. More creators should.
I really enjoyed his CAPTAIN AMERICA but it was spinning its wheels at the end.
I feel as though working for the big two is becoming less and less appealing to a lot of comic book creators. You can tell that the editors have had a lot tighter grip on the wheel since this modern age of blockbuster superhero movies started. Their use to be a debate about whether comics should be writer or artist driven. In the case of the modern big two it's neither. The big two are editor driven now. Everything is about "crossovers" and "events", things that diminish the talent on any one book and exalt editors who put the whole thing together. You could see how some creators might not like that and jump ship. After all, why are you going give a giant multinational conglomerate all your good ideas, only to have some editor mess it up, or worse, erase it from existence in his or her next ill conceived "event" story?
How many issues and how long?
Please don't be years and years 1-2 should be max else milking us taking up storage space and we get bored
As like east of west I rarely buy them now