So I've read thru the McFarlane Spidey Omnibus the last week. It has been a real trip down memory lane. I remember being awed by the art as a kid as each new issue was published and they were nice to revisit for nostalgia. However, they don't particularly hold up well compared to today's modern comics. Overall I'd give this book a C- on the writing and an A- on the artwork.
For example, apparently the Torment arc takes place over one long night (I think). Why was Calypso using the Lizard? For what purpose? Revenge against Spidey for Kraven dying? It was never clear what her movies were. And the Lizard basically spent the entire arc, when he wasn't EATING PEOPLE, creeping around in shadows with grinning fangs with demonic glowing eyes. And the arc ends in a cliched explosion with nothing really resolved or explained. Next, we have the Hobgoblin 2-parter which was bizarre. Why was Hobgoblin kidnapping/killing people? It almost seemed pointlessly brutal and dark just for the sake of doing something dark and monstrous. By the third arc, while dark and depressing, McFarlane had progressed enough as a writer that the book reads a little better. I honestly think the Perceptions arc is the best in the Omnibus. It's not a great story by itself, just the best in this book.
It's also now obvious in retrospect, McFarlane is one really messed up dude. Many dark and disturbing themes used in Spawn were first featured in McFarlane's Spider-Man title. Kidnapping, torture, abuse and murder of children is repeated again and again across McFarlane's work. It's shown in the Hobgoblin 2-part story, immediately thereafter in the Perceptions arc (rather graphically in some cases where the characters actually dig up bodies) and again in Spawn. That's not something I think anyone finds enjoyable to read or think about yet McFarlane showcases it again and again.
I think this Omnibus best serves as a proto-Image/Spawn book. Check out the characters in the Sub City arc. One looks like a dead ringer for the Violator Clown which later showed up in Spawn. Also there are several analogues through the series that could easily have been Sam & Twitch and various garbage dwelling bums from Spawn. You can really tell that McFarlane was trying hard and the book sold a bazillion copies, so it was obviously a success but it's easier now to see the series' faults when revisited thru a modern lens.
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Also congrats to the due up thread with the new baby! Take it slow ... like the other poster said don't go too crazy at first and give everything up cold turkey or throw it all way. I went thru a similar experience with our two kids (now 5 & 2) and eventually slowly got back into comics. It just takes a little time to find your groove, like everything else.