It’s the push plus the right writers, at least for movies, comics, and TV shows… because writers matter more than any other component for narrative, and narrative matters more than anything else for long term franchises and characters.
It’s the push plus the right writers, at least for movies, comics, and TV shows… because writers matter more than any other component for narrative, and narrative matters more than anything else for long term franchises and characters.
Like action, adventure, rogues, and outlaws? Like anti-heroes, femme fatales, mysteries and thrillers?
I wrote a book with them. Outlaw’s Shadow: A Sherwood Noir. Robin Hood’s evil counterpart, Guy of Gisbourne, is the main character. Feel free to give it a look: https://read.amazon.com/kp/embed?asi...E2PKBNJFH76GQP
But some characters are just more enticing for readers than others regardless of the creative team. Do you like every superhero equally or even close to that? While I enjoy just about all of them myself, there are a few that transcend them all in my eyes. Besides, unlike television, most fans just don't have enough money to finance all the available titles out there, so you have to pick the ones that entertain you the most.
A bat! That's it! It's an omen.. I'll shall become a bat!
Pre-CBR Reboot Join Date: 10-17-2010
Pre-CBR Reboot Posts: 4,362
THE CBR COMMUNITY STANDARDS & RULES ~ So... what's your excuse now?
I’m going to have to disagree. I think the most important aspect is the vocal support of the fans. If the fans don’t like it, then it’s really not going to get off the ground at all, writers or not. But, even if the show has fans, that’s still not a guarantee because we’ve seen shows, movies, and comics get cancelled regardless.
I’ll don the mask and wear the cape
If I am super, how can I wait?
Not necessarily. This would be a case where the tv shows are competing for the same audience, which only has so much time that they have to choose which show gets their bump in ratings. I’m not sure how they account for ratings with the current landscape of streaming and, we have to consider pirating, but I get the feeling that some numbers get lost in translation or maybe they only care about viewership during the initial premiere. It could all come down to merchandise sales, I’d like to be able to work in the industry to get a better grasp on the real answer, which is most likely a combination of things.
THat describes the entire hatred of them since I haven't heard any valid reasons or strong factual reasons for hating them that's why any of the reasons for hating them are flimsy and nonsensical.
Screw the Nickleback Haters I will never apologize for being a Nickleback fan, saying Nickelback is 1 of my favorite bands, and for wearing a Nickleback t-shirt after I buy a Nickleback t-shirt.
Most ethnic minorities aren’t actually liberal. They just vote liberal because conservatives are perceived( and sometimes are) openly hostile to them.
Dark does not mean deep.
A bat! That's it! It's an omen.. I'll shall become a bat!
Pre-CBR Reboot Join Date: 10-17-2010
Pre-CBR Reboot Posts: 4,362
THE CBR COMMUNITY STANDARDS & RULES ~ So... what's your excuse now?
Generally they should be a place to discuss a character.
Some are the ONLY place to know anything about a character.
Some are the ONLY place to know if the character appears in anything.
Generally this although some attract trolls-who have ZERO issue telling you to accept CRAP.It’s like a one-stop thread for fan art, news, speculation, and debates.
Like if your favorite is badly written in a book-you STILL have to support the book or you are not a real fan.
Oh, yeah, I totally agree with that…but the most important ingredient to making that character more enticing ends up being the writing, and consistently good writing is needed to maintain it afterwards.
That’s not to undersell how important an iconic visual design is; merely it’s to state that the narrative/story/writing ultimately still matters more.
The fanbase is grown by the story, then the fanbase overcomes the visual aspect… but still ends up living and dying more off the writing than anything else. Think about how a decade of mostly mediocre writers have undermined major comic characters and larger franchises at DC, or how The Last Jedi managed to drive off half the ST’s fanbase, while Batman having consistently solid writing means that not only he and his family but even characters in the peripheries of his franchise succeed, and how even simple storytelling like that of The Mandalorian built up the D+ Star Wars franchise.
Like action, adventure, rogues, and outlaws? Like anti-heroes, femme fatales, mysteries and thrillers?
I wrote a book with them. Outlaw’s Shadow: A Sherwood Noir. Robin Hood’s evil counterpart, Guy of Gisbourne, is the main character. Feel free to give it a look: https://read.amazon.com/kp/embed?asi...E2PKBNJFH76GQP
F@#k Tom Dooley. Hangings too good for him.
I think the topics that are more likely to start a conversation about a character or a group of characters are those that have an angle to them--not just "Joe Blow is a Great Guy," but "Was pre-Code Joe Blow Non-Binary?"
Anyway, I've been convinced that there's a great gulf between comic book fame and other media fame. I didn't used to think so--because I got into comic book super-heroes by way of Adam West--but many posters set me straight and showed me that what's popular among comic book readers isn't what's popular in other media these days--and vicey versy. Characters that have almost been forgotten in the comic books can score their own movie or T.V. show and be a big hit. Yet a spin-off comic book title isn't going to generate the same interest. Because the two arenas are very different, with only some overlap. People that watch T.V. shows and movies aren't going to bother with the comic books--it's not like when I was a kid and Gold Key or Charlton could put out a tie-in comic and every kid on the block would buy it because it had a photo of Davy Jones or David Cassidy on the cover. And readers that like the comic book are often those who deplore the live action treatment and work against its success.