Originally Posted by
Doctor Bifrost
I wrote a rather strongly-worded rant on this subject, which I am now erasing and replacing with this much... calmer... comment.
You can say that "people who post on comics message boards tend to live in a distant past that comics publishers don't care about" and that "90% of comic readers" don't care about.
But the evidence seems to suggest that the DC publishers (editors, writers) either do care about the distant past, or believe that enough potential readers with enough potential money care about the distant past. Because, even as they reboot universes and discard continuity, they just keep going back to the same stories, tropes, villains by the metric ton, characters that even on their best days were considered minor, references, and Easter eggs.
A clear demonstration of this is Titans Hunt. The story (as seen so far, and intimated further) in no way follows naturally from the characters as they have been introduced in The New 52. Instead, it seems to be an editorially-dictated appeal to nostalgia: "We're getting the old gang (you remember the old gang) back together!" The fact that these are actually new characters, who do not have the backstories that made the old gang getting together make sense, is apparently not important. What's important is to create something that reminds readers of the old days, when they loved these characters. And then fill each issue with Easter eggs leading readers to say, "I remember that!" Pure nostalgia, with the plot (which may turn out to be very good, or very bad, I don't know) layered on top of it.
Add to that the Anti-Monitor, Barry Allen back from the dead, Jason Todd back from the dead, the GA Lois & Clark, and so on. It certainly seems that the publishers/editors/writers believe that more than 10% of the readers - more than just the few who post on message boards - will be attracted by constant references to the past. Either that, or the publishers/editors/writers are themselves quite caught up in that past. (Or, they don't want to put in the energy to do anything really new, so they keep doing modified rehashes of things they read when they were kids. But it would be rude to suggest that.)
I was struck by just how attached The New 52 creators were to the past, rather than truly developing new situations that grew organically out of the new world they had created, at an odd juncture: the new Hawkman they created. Different origin, different personality, etc. - but they still felt the need to (a) name him Katar Hol/Carter Hall, and (b) introduce him as having a secret identity as a well-respected Earth archeologist. Now, taken on its own terms, this doesn't make much sense - how does an amnesiac alien who crash-lands on Earth make himself, in a matter of a few years, into a well-respected archeologist? He has no credentials, no training, no university degree, no history on Earth - he's a space orphan. But I don't think it's intended to make sense within the story; it's intended to appeal to nostalgia, and generate the "oh, yeah, I remember!" response.
If they did it explain it at some point, with one of those contrived, off-hand deus ex machina explanations we tend to see in comics, I missed it. But in any case, it was appeal to the past first, explanation second, if at all.
(This doesn't work very well on me. I'm a continuity fan - which means that current DC comics are not written with me in mind - but I'm not nostalgic in the sense that I'd be tickled by these Easter eggs on their own. They don't really maintain continuity. In fact, they disrupt the continuity of the current DCU, and often don't make the stories better.)
I'm sure any of you can point to a dozen appeals to nostalgia of this form. I'm not sure who is asking for it (not me) - but obviously the DC creators think its a workable business strategy, or they just like it themselves. Does it work?