Edited - over and out.
Edited - over and out.
Last edited by Doctor Bifrost; 02-11-2016 at 01:53 PM.
Doctor Bifrost
"If Roy G. Bivolo had seen some B&W pencil sketches, his whole life would have turned out differently." http://doctorbifrost.blogspot.com/
I still think cause and effect are being reversed here. Batman and Justice League aren't popular because they left a single writer/creative on them. They are popular because people like the characters. The fact that they are popular is why they never had any reason to move the creatives off of the books.
If people had liked Nocenti's Green Arrow, Nocenti would still be on Green Arrow.
I not really saying they are popular because of having a single creative team on them at all. What I am trying to say is that because of a consistent creative team on those two book they sold pretty well in addition to the characters being popular with people. There are plenty of other characters who I would say are just under the popularity level of Batman and the Justice League characters that have struggled to even sell above the cancellation threshold and almost all of them have had very inconsistent creative teams. I think that there is simply more than one factor that explains why some books sell well while others just don't.
Supporting LION FORGE COMICS and other independent publishers.
Check out Lion Forge's Catalyst Prime Universe. Its the best damned superhero verse in comics. Diverse characters and interesting stories set in a universe where anyone can be a hero. And company that prides itself on representation both in the comics themselves and in the people behind them.
Oh my goodness gracious! I've been bamboozled!
When we hit our lowest point, we are open to the greatest change. AVATAR AANG
Was Lemoire not on Green Arrow long enough? Nocenti on Catwoman? They might not have been there the whole time but they had nice long runs that didn't see any growth (or maintenance) in sales.
I am tempted to say that consistency of creative personnel is only a factor if that creative is very very good, in which case of course it's going to help sales. But I would imagine you could have switched between Johns and Morrison every 4 issues on JL and gotten the same results.
Last edited by GlennSimpson; 02-11-2016 at 04:00 PM.
Huh. I thought you were saying that again, and in particular being so old that you don't like change and aren't important to the market any more, was indicated by whether you were still active and in demand in the dating scene. I must have misunderstood you completely. My mistake
A good rule of thumb is that if you're no longer in demand on the dating scene, you're no longer in demand by marketers either. If you've accepted the former about yourself, it should be no big leap to go ahead and accept the latter too.
Doctor Bifrost
"If Roy G. Bivolo had seen some B&W pencil sketches, his whole life would have turned out differently." http://doctorbifrost.blogspot.com/
I wasn't talking about leaving a team that is obviously wrong for a title in place at all though. That would be stupid and if a team just doesn't work I'd much rather they get taken off the title immediately. I was talking about how maybe DC and Marvel even should leave writers who are good fits for a title alone and let them write that title for as long or short of a time as they want.
Supporting LION FORGE COMICS and other independent publishers.
Check out Lion Forge's Catalyst Prime Universe. Its the best damned superhero verse in comics. Diverse characters and interesting stories set in a universe where anyone can be a hero. And company that prides itself on representation both in the comics themselves and in the people behind them.
Oh my goodness gracious! I've been bamboozled!
When we hit our lowest point, we are open to the greatest change. AVATAR AANG
Supporting LION FORGE COMICS and other independent publishers.
Check out Lion Forge's Catalyst Prime Universe. Its the best damned superhero verse in comics. Diverse characters and interesting stories set in a universe where anyone can be a hero. And company that prides itself on representation both in the comics themselves and in the people behind them.
Oh my goodness gracious! I've been bamboozled!
When we hit our lowest point, we are open to the greatest change. AVATAR AANG
No title ie entirely writer-proof, but some are pretty close. The more viable the concept, the more writer-proof it will be.
Are you disagreeing with me? Because nothing there contradicts what I said.
True. But at the same time, those titles will very likely get bigger boosts from big names coming on board.
Jim Lee had been getting mediocre sales on little Wildstorm titles for years before he came onto Batman. It was the combination of the two that sent the sales through the roof.
I honestly have no idea whether DC should put their big names on the bigger books or the smaller books.
I'm not implying that *any* team could have, but that it's fairly easy. BUT MORE IMPORTANTLY having that *same* team on the books the whole time isn't what MADE the books popular. I think they could have swapped the creatives around as much on those books as any others, as long as they always had "a-list" creators on them, as they did.
As someone who frequents both the Marvel and DC Board's, the amount of utter hate and vitriol on the DC boards is leagues (no pun intended) worse than Marvel.
That's not to say that marvel doesn't get it's fair share of hate, but it's typically 1 of two things:
1: A vocal minority of disgruntled x-fans with no valid complaints other than "gimme mutants", or
2: people complaining about marvel shoving diversity down their throats
theres also a group of people upset due to event fatigue, but that's really it. You don't have 17 threads talking about how the entire company is sabotaging itself and ruining mythos and has no handle on any of it's characters other than Spiderman (Batman).