Results 1 to 2 of 2
  1. #1
    Super Moderator
    Join Date
    Apr 2014
    Posts
    26,245

    Default REVIEW: Alex + Ada, #7

    Jonathan Luna and Sarah Vaughn's "Alex + Ada" #7 finds Alex and Ada facing the real world and the inherent complications of Ada's sentience.


    Full review here.

  2. #2
    small press afficionado matt levin's Avatar
    Join Date
    May 2014
    Location
    western MA beside the CT River
    Posts
    1,294

    Default

    Hi! I already posted this in another A+A thread, but I'll repost here, just hoping to catch another not-yet reader's eye--

    ): I really like this. they’re bringing us to the edge of asking what it means to be human. I like the oblique angle: life is oblique, oblique and opaque. There're many examples of human life: the neighbor who panics just to know Ada's next door; Alex's buddy who sees Ada as only a fancy fantasy; Alex's grandmother who knows Ada's now far more than just 'a robot'. And Ada, now trying to pretend to be 'just a robot'.

    A&A has got to be one of the quietest, subtlest comics I’ve read (and I go back many decades): could be just any girl, Ada, admiring how the bracelet looks on her wrist, but it is Ada, and she notices as well what the bracelet hides; just one quiet panel of a girl admiring jewelry, but it conveys a whole social and psychological under-current more.

    A&A is one of the best world-building comics I’ve read: moreso even than Saga, currently thought to be one of the best, but throws multiple worlds together somewhat higglety-pigglety. The world of Alex and Ada is orderly, is just there as they move through it revealed by Alex's and Ada's movement through it—a world of small changes, but significant changes, a very neatly complete world, a world easy to believe in. Alex + Ada (issue 7): I really like this. they’re bringing us to the edge of asking what it means to be human. I like the oblique angle: life is oblique, oblique and opaque. There're many examples of human life: the neighbor who panics just to know Ada's next door; Alex's buddy who sees Ada as only a fancy fantasy; Alex's grandmother who knows Ada's now far more than just 'a robot'. And Ada, now trying to pretend to be 'just a robot'.

    A&A has got to be one of the quietest, subtlest comics I’ve read (and I go back many decades): could be just any girl, Ada, admiring how the bracelet looks on her wrist, but it is Ada, and she notices as well what the bracelet hides; just one quiet panel of a girl admiring jewelry, but it conveys a whole social and psychological under-current more.

    A&A is one of the best world-building comics I’ve read: moreso even than Saga, currently thought to be one of the best, but throws multiple worlds together somewhat higglety-pigglety. The world of Alex and Ada is orderly, is just there as they move through it revealed by Alex's and Ada's movement through it—a world of small changes, but significant changes, a very neatly complete world, a world easy to believe in.
    Age/Bronze, Age/Reptiles, Alex&Ada, Anne Bonnie, Astro City, Bone, Briggs Land, Cerebus, Criminal, Courtney Crumrin, Eleanor & the Egret, Fables, Fatale, Fell, Grass Kings, Green Valley, Goon, Gotham Midnight, Groo, Hellboy, Hillbilly, Incognegro, Jack Staff, JL8, Jonah Hex, Kane, Lazarus, Little Nemo, Lone Wolf, Next Wave, Popeye, Powers, Princess Ugg, Resident Alien, SiP, Squirrel Girl, Stray Bullets, 10G, Thief of Thieves, Tuki, Uncle Scrooge, Usagi, Velvet

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •