Man, whenever I go to talk this book I feel like a broken record. Honestly I almost wanted to keep my opinions to myself on this one. But after I read the actual book I feel like I've gotta bring to light some of the very important and effective techniques that Landis puts to work here, in my summation. Disclaimer: I don't wanna spoil too much right off the bat, so forgive me for speaking abstractly in this first post. But we can all get into it farther down.
In Superman: American Alien #6, for the first time in earnest, we've got an honest to goodness return and contemporization of most popular time in Superman's publication history, the "Sliver age". "But Landis' Clark can't juggle planets, breath in space, or ever time travail, Superlad!!" you may scream at your computer screen right about now. Well you're not wrong. Landis' Clark isn't a god when compared to someone like "Silver age" Kal-El. BUT I'll counter that extraordinary power wasn't even the point of "Silver age" Superman. I think the point was very idiosyncratic stories about this guy and how this he felt, and how people felt about him. For the first time in a pretty long time a writer has come around and done the most obvious thing in the world: taken Superman's most popular era and vigorously updated it to basically make his own thing. Like not even Grant "my personal hero" Morrison has done such a thing. He basically would just directly lift from that era and update it just via context of a modern lens. Actually that's what nearly all writers do (but less well than Morrison).
This book gives you Clark Kent, the man of steel with the heart of glass. This particular issue is about Clark Kent showing his friends from back home around the city. We get to see a side of Clark that almost no writer would dare invoke for fear of shaming some imaginary "Super commandment", but in this issue Clark is a bit of showoff, and low key braggart. You can see it instantly when Pete and Kenny meet up with him, Clark yells "welcome to Metropolis" right in front of a post of his giant head as The Superman lol. He struts out in front of friends and reassures the bewildered Kenny that he knows his way around the city on foot, BUT he knows it even better from the sky so he sometimes gets lost on foot because of it lol so "humble" Clark.
It's that idea of showing off a little for your childhood friends from back home after you've carved out you little slice of the city. It's incessantly douchey in that way we can all be (you know it's true!) You get this feeling that Clark's finally found his legs in the city. He's created an ecosystem and routine that has made him comfortable.....maybe TOO comfortable as we see later in the issue.
I'll finish off this starting post by saying the world and character building is fantastic and economized beautifully in this issue. The world is a VERY different place than we saw in the past issues. I feel like I KNOW this Kenny and Pete so well already. I absolutely love this Jimmy! Being a really big Jimmy fan I was pretty worried on what I'd think of him when I finally saw him in action. The characters depth and world building converge to create a major plot point and the main conflict of the book. It's really fun and interesting stuff.
What did everyone else think?