Yeah, the Sliding Time Scale and how ridiculously young Marvel keeps insisting the O5 are really stretched the suspension of disbelief. For the O5 being brought forward to have REAL impact and meaning it would have to be done in a setting where the passage of time actually matters a damn. The time frame between the present and past was simply FAR too small to realistically make a difference.
It did have a REAL impact and meaning because, despite the shrunken time frame, A lot had happened to the X-Men in the time between the O5's era and the time they were brought too. So much that they were justifiably shocked by how much had happened in that space of time when they were brought forward in time.
Agreed. Sliding timescale or not, 30+ real world years worth of stories had happened to those characters by the time they came back. I'm in the group that didn't hate it at first (even though it made Beast pretty irredeemably, dangerously insufferable as a character) but that they let it go on so much longer than it should've really soured it. I did like the Teen Jean solo.
You can't build an entire book, hell, an entire franchise, based on some characters reacting to earlier, better stories, and the other characters around them reacting to the reaction to those early, better stories. Specially considering the characters that will react to it then will go back in time and disappear from the books in that particular form. And other than Iceman being outed, which didn't need his younger self going forward in time, what did it achieve?
I'll ask again: can anyone imagine peak Claremont, Morrison or Hickman doing something likes this? Hell, even someone like Carey or Gillen? There's a reason for that.
I mean, yes, you can. The book was an introspective look on what these characters had been through and where they were at that moment which was especially relevant after Avengers vs X-Men and with Cyclops on the path of being the new Magento. The O5 would go back in time and forget but it was still interesting to see their reaction to what the X-Men would become in the future and it also affected the X-Men in the present too which would not be immediately forgotten.
Any of those writers could have easily done it if they thought about it. It was a bit of an out of the box idea and it was a good idea at the time considering just how much change the X-Men hed been though to that point.
None of these writers would have done it because any good writer knows you have to make the characters move forward, not back (Hickman criticized the idea already), and building your entire franchise around reacting to other, better stories is stupid because:
a) First of all, it reminds me the readers they could be reading other, better stories than the one they are currently reading;
b) Assumes readers read all these past stories, which is never a given;
c) Assumes readers care about all these past stories as much as you or the characters do;
d) Assumes readers care about what would the teenage X-men of the past thought, which is not a given either;
e) Makes all the characters involved look stupid and selfish, because they are risking billions of lives every second they stay in the present;
f) In the end, it changes nothing, because the main characters will just forget what happened, and the other ones will only be tangentially affected.
Moreover, Bendis said the idea wasn't his, but rather one that was floating around Marvel for many years and everyone else hated it...except for Jeph Loeb (if Loeb liking isn't an endorsement of poor quality, I don't know what is, LOL!), so most of other writers I mentioned already knew about it, they wisely just thought it was a bad idea.
Again, sometimes you have to look back to go forward and that is what the book was trying to do by showing where the X-Men were at the start and just how far they have gone for good and bad and how they will move forward from that.
The series honestly was written well and it did enough new things to warrant the readers sticking around. Most comics are continuity heavy and referential at this point so your points B and C could apply to most comics. Bendis had to and did write it in a way that wasn't so continuity heavy at all times to readers could understand.
Readers caring about the characters and what they think is always a problem in fiction. In my opinion, Bendis does a good enough job at this to make readers care.
A lot of the characters were more than just "Tangentially affected" by it, especially at the start. And even though the past X-men forgot it was still fun to see what they thought of the X-Men in the future.
It was a fun idea that produced a few good books.
[QUOTE=baxer;5232138
Anyway the teen O5 was really good since Marvel wanted treading water and filler stories on x-men[/QUOTE]
And that's the real issue. It was all about treading water and filler stories.
X-men fans are way too quiet about Sinister stealing Thunderbird's DNA.
I mostly agree with you except for Jean Grey, who stays dead too long for me consider her core. I think is more like
Core 1.Wolverine, Storm, Cyclops
Core 2. Jean, Beast,Kitty, Magneto, Nightcrawler, Rogue, Iceman,Xavier
really close Bishop, Asian Betsy, Angel, Gambit, Colossus, Cable **Magik
They are 3 X-men who are clearly slightly important than rest but isn't important enough because of nature of the franchise to need have all three of them around. It is really hard to do a team that feels offical without someone from Core 1 but if you stick enough people from Core 2 and the "really close group" you can get away it for a little while but the big X-men formula that works normally at least 1 out of 3 of Core 1 and depending how much you use from Core 1,determines how much you use from the next group.
And my controversial opinion is that Magik is now A-list X-man, She does the berserker loose canon Wolverine thing very well and writers have recognized that and have been using her to the fullest.