I'm with George Takei.
Screw you, Zachary! D:<
I'm with George Takei.
Screw you, Zachary! D:<
Except his orientation was sort of an open secret since the 70s and he didn't officially announce it until 2005.
I've been thinking about all the series and while each one had at least one black character:
3 (TOS, VOY, ENT) have had 1 Asian character [some might think I'm forgetting Keiko O'Brien (Rosalind Chao) but she was never bumped up to main character status and Guinan has probably had more screen time than she has had]
1 Native American [Did Chakotay ever call himself that? Is that what they still called themselves in the 24th Century or did they go by their tribe name?]
(0 Latinos)
(0 Pacific Islanders/Alaskans)
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I wonder if Takei is a little more protective of Sulu since Sulu might be considered a cultural role model in the Asian community. Nichelle Nichols has told the story of how Martin Luther King convinced her to stay with the show because Uhura was such a positive role model for the black community in a time when most black character s in the 60s were either maids or chauffeurs. The same could be with the Sulu character, a positive role model at a time where most Asian characters where maids, houseboys or stereotypes. And Takei (given his personal history) might consider himself a Japanese-American first and a gay man second.
The official reasoning is that of the TOS crew, Sulu was among those with the least character and background fleshed out, which left room for development. It also got the support of Justin Lin, who himself is a pretty supportive ally of the queer Asian American community.
Personally? I'd like to think they're all at least bi and we just haven't seen it yet. What evidence do I have? Absolutely nothing.
Riker, on the other hand, to me seems to be the type of guy who would give a coy smile if you asked him if he ever got it on with men.
"Target the Asian" You say that like it's some kind of insult to make the Asian character gay.
It isn't "more important" when writing fiction - just like, just because "global warming is important" doesn't mean the movie you write has to include global warning and that's "more important" than getting a character right.Mr Takei was just talking about the creator's vision when the much more important subject of the utter absence of LGBT people in Star Trek somehow completely went over his head. That IS something to be disapointed in.
Fiction, especially on the entertainment side of things, isn't purely a vessel for important political messages - nor should it be, or will it ever be.
Important messages and causes can, in fact, be entirely disregarded - in favor of aesthetical choices, or just because.
Star Trek makes social and political points all the time, but they've somehow avoided LGBT characters for decades, with a few exceptions. It's not as if evil mirror universe Kira being a bisexual and wanting to bang herself is at all helpful to gay causes.
Once and for all, Star Trek fans, quit trying to rationalize the exclusion of LGBT characters in a franchise that's almost always touching on important topics such as race, gender, politics, religion, and the environment, because you don't have a leg to stand on.
Eh - as long as it's just negligence and not malice I don't care much.
Point remains, had those at the helm thought like Takei and prioritized "character authenticity" over either actor references or "advancing the LGBT cause", there wouldn't have been anything wrong with it.
The idea hat "LGBT issues are a more important issue than character authenticity" doesn't fly - it's a real-world issue and as such objectively more important than the artistic choices of an artwork... but within the context of the artwork, they aren't.
It's a shame all this seems to be overshadowing that this film should be a tribute to Anton Yelchin who recently died.It gonna feel sad watching Chekov on the screen knowing he's not around anymore and this was his last Star Trek film.