Last edited by CrimsonEchidna; 07-20-2016 at 03:01 PM.
The artist formerly known as OrpheusTelos.
Pots and kettles.
Oh, it's a fantastic Otto Octavius story. If it's not the best one ever, it's top two.
The exploration of the characters' psyche has been fascinating for me to read, but I clearly also see how it is a love letter to Peter Parker: the whole point is that, try as he might, Otto Octavius isn't superior. And it's not because he's a bad Spider-Man. Some might have a strong rationalization in favor of him being a GREAT Spider-Man. The case can certainly be made, I think.
The problem is that he's a terrible Peter Parker. And no matter how logical his decision making, he doesn't have the heart of a hero.
And Peter has, arguable, the "best" heart in comic books.
I definitely see it.
-Pav, who can imagine youngsters marveling over this run like a certain fella did during the Clone Saga...
You were Spider-Man then. You and Peter had agreed on it. But he came back right when you started feeling comfortable.
You know what it means when he comes back.
"You're not the better one, Peter. You're just older."
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Just because you can't see it, doesn't mean it's not there.
The whole subtext (barely even subtext at that) of the storyline (and many others by Slott like Spider Island and Spider-Verse which is the proof in the pudding) is that it's Parker's heart and sense of responsibility which separates and elevates him beyond, in this case compared to a "superior" Spider-Man who values himself as more intelligent and pragmatic than his predecessor but completely lacks the key aspect of self-sacrifice and humanity. It's a remarkably clever deconstruction by way of using Otto as a proxy, while at the same time being a nice character piece on Otto himself.
Edit: Pav beat me to it.
Haha, we can go with shtick.
Last edited by Zeitgeist; 07-21-2016 at 06:16 AM.
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Just because some have a desire to attach a deeper meaning or significance to something doesn't mean it's there, either.
If it was meant to be some kind of "love letter" to Peter Parker, I don't think I'd like to see what a hate screed to him would look like.
Last edited by Metamorphosis; 07-21-2016 at 07:46 AM.
If they see it, then it's probably there to some degree - especially if the analyst can point to specific elements of the text and explain how they add up to the overall interpretation.
Zeitgeist and I (and Mets! nice choice, Mets!) have, in pretty simplistic terms, explained how it's possible to see Superior Spider-Man as a love-letter to Peter Parker. We've explained our rationale and have textual support.
That's literary analysis, holmes.
Your refusal and/or inability to see what we see does not invalidate our positions.
That's the beauty of literary analysis! Multiple interpretations CAN be correct, as long as the textual support is there.
-Pav, who suggests you read Parker Palmer's The Courage to Teach and especially his thoughts on "The Community of Truth"...
Last edited by Pav; 07-21-2016 at 08:24 AM.
You were Spider-Man then. You and Peter had agreed on it. But he came back right when you started feeling comfortable.
You know what it means when he comes back.
"You're not the better one, Peter. You're just older."
--------------------
Closet full of comics? Consider donating to my school! DM for details
I love you guys.
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♪ღ♪░NORAH░WINTERS░FOR░SPIDER-WAIFU░♪ღ♪
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So, I guess all it takes is to evoke “If This Be My Destiny” and the ‘Spider-Man lifts something heavy’ trope for the nth time, as well as having Peter announce and explain to the reader why he’s the better Spider-Man. This is what constitutes a love letter to some.
There’s possibly a good message in there somewhere, Peter got his body back because Otto gave up, and Peter never does. But it’s cloying and obvious, Slott has to explain it all in dialogue in case someone might not get his point. I think a better approach would have been show more instead of telling (and plugging in scenes from classic comics of the past doesn’t automatically legitimize the proceedings).
In “Kraven’s Last Hunt”, what Kraven thought of as his victory over Peter had weight, since Kraven came off as a lightweight villain before the story, and there was a lot of backstory and exploration into Kraven’s psychology outside of just another abusive father trope like they employed with Otto in Superior. Kraven thought he won, but his victory was arguably a pyrrhic one, since he chose to take his own life, and suggests that his campaign against Peter was ultimately a delusional one (compared to Otto simply ceding control back to Peter, because he can’t find a way to save the girl on the subway tracks and Anna Maria, despite being portrayed as hyper-competent for the entirety of the story up to that point).
In KLH, there was a lot more subtext, and a lot more subtlety there. The reader didn’t have to be bashed over the head or spoon-fed these themes, including Peter’s journey in KLH back out of the grave, since they came through in the telling of the story and the actions of the characters.
You want to play the academic card, that’s fine, but some of us have spent time doing literary analysis too, even in an academic setting. Some of us do our own writing, and do find Slott’s approach to things heavy handed and over-obvious.
My problem wasn't the abuse. My problem was how much focus it had in Superior, yet Doc Ock did exactly that, yet there was no pointing out the hypocrisy of the situation. If that was the point, shouldn't there be a slide into such behavior ala Citzen Cane? Or an attempt at circumventing violence as a whole only to see the entire plan destroyed, alone with the emotional stability and pride he took from it, making him turn violent to purge his feelings of loss and hopelessness?
There was so much emphasis on the abuse, yet the only impact that it had was SpOck dating someone.
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Then Slott must have done too good a job making Otto sympathetic.
As Peter, Otto:
- fixed Aunt May’s physical disability
- got his doctorate,
- took over Horizon labs and expanded it into Parker Industries
- rejected Mary Jane as no good for him (another thing Peter couldn’t bring himself to do)
- got romantic with Anna Maria (an unconventional love interest which Slott himself proclaimed Peter was too shallow for)
Compare this to what Peter has done since he’s been back, which includes carelessly freeing Silk from her bunker (awakening Morlun and leading to many deaths), fighting with Tony Stark like a 5th grader, and blowing off the shareholders of his company.
Under Slott’s pen, Otto was arguably a better Peter than Peter is. Therein lies the problem.
Peter was supposed to be such an integral part of Spider-Verse, but it’s Otto that gets to deliver the big motivating speech to Uncle Ben. Spider-Verse as a story probably would have played out much the same with or without Peter involved. While Peter ultimately won the day in Spider-Island, it was with the help of a cast of dozen other characters, including the Avengers and Venom.
So please don’t take so much offense that I poke holes in your little analysis, that simply recycling old Lee / Ditko stories and dialogue wholesale into a comic doesn’t instantly translate to “love letter” to the character (likewise, please don’t take offense when I say that you also can come across a little condescending in your assertions). And that simply stating Peter is better doesn’t make it so when the actual output and comments of the writer himself prove otherwise.
You can make a case one way for something, but a strong case can also be made for another way. Your’s (or Mets, or Zeitgeist’s) is not the only analysis that counts.