I think comics have evolved hugely in that 30 years. Watchmen and The Dark Knight Returns (not so much The Killing Joke IMO) were massively ahead of their time in many ways and works by incredibly talented writers. There's no way you can expect the average writer to be churning out work of that quality on a regular basis. You also probably shouldn't be looking at superhero comics for works that do push up the quality. In general though, I can't look at works from 30 years ago and then look at things like Locke and Key, Saga, Final Crisis, WE3, Descender and Punisher Max without thinking the medium has definitely moved forward.
This Millar/Morrison rivalry has become far more interesting to me. I was always under the inpession the two were good friends. They did many projects together.
They did and some of it was amongst the best stuff either or them produced because they negated each other's weaknesses. Morrison can sometime get so in his head with crazy ideas, he forgets to give his readers a lifeline to follow everything that's happening. This is why a lot of Morrison's stuff gets better with subsequent re-reads. Whereas Millar is often too concerned with playing to the most juvenile parts of his readership when he's clearly a very intelligent and thoughtful writer.
The yin & yang of Morrison's trippy high concepts and Millar's shameless populism was a great combination.
And chances are, it would be accurate in part. You can't blame it for everything, by economic suicide based on bigotry and a naïve belief that your empire still exists is kind of a recipe for disaster.
BTW, I was originally somewhat dismayed but intrigued by the thread because some people still think Watchman is a great work of fiction and that its author is some kind of genius. I think we sell the medium short when we do that.
Last edited by Brave Sir Robin; 09-08-2016 at 07:33 AM.
What the hell, I'll ask: Why is this so?
Seriously, what is wrong with Watchmen having the status it does? How are genres or entire storytelling-mediums supposed to last without producing works of serious merit somewhere along the line?
I mean, if I'm right here, and this is yet another "Watchmen ruined comics'-argument that's being made, let me pose another question: what's so magical about the superhero genre if it's largely just stewing in it's own juices? Really, what is the value in all that? What's it worth to keep this stuff 'pure' if it's mostly just rote dross produced for die-hard fans?
Last edited by The Beast Of Yucca Flats; 09-08-2016 at 10:06 AM.
Not (bigotry and naive belief) what most "Out" voters based their decision on!
The economic forecasts that were produced by various "authorities" were incredibly biased...I took the trouble to look at the assumptions under-pinning several of them, and came to conclusion that the ones I looked at made assumptions that would not be used by competent economists UNLESS they wanted to exaggerate adverse impact of UK leaving Brexit.
Look at it this way...the EU by itself produces no goods or services that benefit its member states directly...the EU bureaucracy takes substantial amounts from member states and uses a large part of the take to maintain its own staff in great luxury.
The remainder goes back in grants to member states...but the grant decisions are not decided by anybody responsible to voters in that state. It's an absurdly undemocratic institution. What was the great cry that helped to fuel the USA? Answer: "No taxation without representation"! Seriously Americans out to be natural supporters of Brexit.
Last edited by JackDaw; 09-08-2016 at 09:37 AM.
I can understand if you personally don't like Watchmen and you obviously don't think Moore is a very good writer - that's fine, no problems with that at all. But your 'dismay' that the vast majority of people hold the work and the author in such high regard is a little... Arrogant and self important tbh. Again, sorry for my bluntness.
Much love.
If Alan Moore hadn't written Watchmen there would still be among others, his work on Swamp Thing and Superman; Marvelman and V for Vendetta; Halo Jones, and Skizz, and DR and Quinch; Supreme, League of Extraordinary Gentleman, Top 10, Promethea and Tom Strong; From Hell; and his Avatar horror work, which I haven't read, but understand to be quite good.
In short, I'd say the theory that Alan Moore is quite a good writer is relatively sound I don't personally particularly like the word "genius" to describe anyone - well, maybe Don Bradman. He was probably a bit of a genius in his own specialised field. But I think that, at the least, Alan Moore has been responsible for some pretty good work.
Not to point out, but you did.
This is just a silly gossipingly question to make. Why doesn`t he? Well, buggers, why does he do anything? Is anyone obliged to enjoy everyone else just because they would all seat at the top of quality writers this company has ever have? Apart of some criticism from More targetted at Morrison`s earlier work or so, we don`t even know much about it and frankly it shouldn`t be a concern for us unless it creates distaste in the office and the death of some expected project to come out.
They`re still human beings, not machines. Just because he seems to like Neil Gaiman more doesn`t mean he should like Morrison the same amount. They`re not the same person.
Last edited by Aioros22; 09-10-2016 at 06:47 AM.
Maybe it's a hair thing; Moore has too much of it, and Morrison has none of it.
Buried Alien (The Fastest Post Alive!)
Buried Alien - THE FASTEST POST ALIVE!
First CBR Appearance (Historical): November, 1996
First CBR Appearance (Modern): April, 2014