My blog. Latest entry: November 5th, 2022
It's not shocking at all as there is no credible reason to think they'd actually turn which is what I mean when I say it feels contrived and hollow. Shock is an emotional response and I never once felt it here because they didn't build up to it, and if you don't have that initial emotional jolt than the "reveal" meaningless.
And hints wouldn't ruin the shock, if we were given say a snippit of Gordon gone wrong in his early years or something like that, and went through a bit of the stress of him dealing with the threat from Two-Face and then seen cops show up at Wayne Manner; the clock busted open and Gordon standing there it would have been shocking...but what we got was two guys in a car talking about the threat and then stating that they have to stop Batman. It's the very definition of telling instead of showing which is no way to build tension and very much unlike Snyder, the guy usually oozes mood but here, other than the great action, it's totally flat emotionally.
Last edited by thwhtGuardian; 09-14-2016 at 01:55 PM.
I don't agree, I think, but I definitely see better your perspective. With Alfred in the last issue, I was genuinely shocked a bit (in the "where exactly is this going" way), he's set the table in his run for Alfred as being someone who can have his own peculiar perhaps even selfish or self-righteous reasons for his actions and they may not be something Bruce agrees with or would want. I think with 5 issues here being this first arc (as far as I understand), that may be why you don't get the setup or development you want (I actually think all of his arcs would benefit from more issues allotted). I always remember too that Snyder is writing for a wider audience that perhaps maybe is shocked a bit easier than some of us.
Last edited by JBatmanFan05; 09-14-2016 at 02:22 PM.
Things I love: Batman, Superman, AEW, old films, Lovecraft
Grant Morrison: “Adults...struggle desperately with fiction, demanding constantly that it conform to the rules of everyday life. Adults foolishly demand to know how Superman can possibly fly, or how Batman can possibly run a multibillion-dollar business empire during the day and fight crime at night, when the answer is obvious even to the smallest child: because it's not real.”
The Alfred reveal was a bit shocking just because it was so out of left field, and we did actually see him dealing with the decision emotionally even if just briefly ...but here there's nothing...it's the very definition of telling not showing. And it's not about getting the development I want, it's about the structural needs of a narrative. He's done the bait and switch to great effect in the past but this latest isn't one of them, instead of earning a true emotional response from me that they can mine later on with a surprising switch , all you have is a feeling of, "Oh, that doesn't make sense so there has to be an explanation later" which isn't a response that will lead to an interesting emotional response later, it's just a rationalization.
Is this the first time the female Copperhead has appeared in the comics? I remember them hyping that up around the time Origins was developed and the character was announced.
I totally would've loved to see Batman tangle with her and Cheshire at the same time .
Two-Face knowing Bruce Wayne is Batman wasn't Snyder's doing, though. It goes back to Peter Tomasi's "The Big Burn" arc from Batman and Robin (changing the book's title to Batman and Two-Face for that arc).
Wasn't expecting the female Copperhead to show up first in this book, wonder if that's why they didn't use her in Birds of Prey...
I have yet to read this but it would be her first appearance in the comics, despite being hyped a long, long time ago.
Great seeing all the other assassins and has Two-Face gotten to Gordon as well? I'm enjoying the cursed wheel back ups.Looking forward to seeing how it all ties in.
"If you look up at me you will see a friend. If you look down at me you will see an enemy. But if you look me square in the eye you will see a God."-Bray Wyatt
Liked the issue, but can you explain to me how Batman SPOILERS FOR THIS ISSUE survived the poison?
I'm more bothered that Snyder kept to it. I really dislike Big Burn and Snyder is a big enough writer to be able to go away from it, downplay it, but instead he's going with it. Young Bruce and young Harvey connected too (from Big Burn) is just horrible overconnecting (it's like Bruce grew up with everyone or had some impact on their life). Tomasi has Harvey start off as a more vain sleazy-enough defense atty with mobster clients. And Tomasi basically makes Two-Face Mr Freeze over Gilda.
Last edited by JBatmanFan05; 09-15-2016 at 05:55 AM.
Things I love: Batman, Superman, AEW, old films, Lovecraft
Grant Morrison: “Adults...struggle desperately with fiction, demanding constantly that it conform to the rules of everyday life. Adults foolishly demand to know how Superman can possibly fly, or how Batman can possibly run a multibillion-dollar business empire during the day and fight crime at night, when the answer is obvious even to the smallest child: because it's not real.”
Hey, this issue also came out yesterday along with 'Tec. I completely forgot about it.
So it was decent, stuff with the villains was the highlight. Everything else is just kind of meh. Zsasz is cool, still waiting for Duke to be something other than "Robin but not Robin" in an ugly costume. Still a fine series.
Not feeling this, this looks like it will be dropped and is definitely definitely definitely not worth the price tag for the book.
Harvey knowing Batman is Bruce is great and a welcomed addition in my book. The fact that one part of his brain knows and the other doesn't is very intriguing to me. Much more unique and believable that a childhood friend could but 2 and 2 together. Also, it plays on the dual personality which I love.
Loved all the rogues featured. Digging Snyder's more 70's style talkative Batman. Such a sarcastic bastard. JRJR still isn't my favorite but he's doing a good job here.
I enjoy Duke, so his backups are fine with me. Plus, Shalvey's art is awesome.
Blech. Just blech.
Some things just don't get better.
Amazing that within a couple weeks of each other two writers could use such fun throwback villains with completely opposite results.
Snyder's Batman just sucks more an more.
Overkill to the max as usual, and just terribly written dialogue.
Dropped.
Blah! Blah! Blah! Blah! Blah!
Generic condescending passive aggressive elitist statement.