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  1. #211
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    Amazing Spider-Man #5 Oct 1963
    "Marked for Destruction by Dr. Doom!"
    After a report by J. Jonah Jameson about the "menace" of Spider-Man,
    Peter in order to avoid any suspicion that he's really Spider-Man
    speaks negatively about his alter ego, earning him harsh words from Flash Thompson.
    Meanwhile, Dr. Doom had seen this same report and decided that after surviving his last encounter battling
    the Fantastic Four, that perhaps Spider-Man would make for a good partner to eliminate his mortal foes.

    Doom uses a device which sends out a signal that affects Peter's Spider-Sense and Peter goes to it as Spider-Man.

    Doom offers Spider-Man an alliance. Spider-Man naturally refuses and a brief battle ensues in which Spider-Man escapes.
    While back at Midtown High, Flash has decided to play a prank on Peter Parker by giving him
    a "scare" in his new Spider-Man costume in the hopes of getting Parker to have more respect for Spider-Man.

    This prank backfires, as Dr. Doom begins trying to track down Spider-Man to get revenge.
    As Thompson is near Peter when Doom is tracking Spider-Man, he captures Thompson instead.
    Doom then sends out a message to the Fantastic Four to battle him or Spider-Man will be killed.
    Peter at first believes that Flash deserves his fate, but his sense of responsibility sends him out to rescue Flash anyway.

    Spider-Man goes to Flash's rescue, and manages to hold his own against Doom's weapons and attacks.
    However, when the Fantastic Four arrive as well, Doom decides to flee the battle.
    Spider-Man decides to leave as well, leaving the Fantastic Four to rescue Thompson, hoping that he learns his lesson.
    The next day at school he sees otherwise, as Flash boasts about his experience.

    Peter, needing to keep his identity as Spider-Man secret, of course cannot say anything otherwise.

    Script by Stan Lee, art by Steve Ditko

  2. #212
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    Default Ryan Meinerding & Andy Park Interview: Designing Spider-Man's Suit


  3. #213
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    Amazing Spider-Man #65 Oct 1968
    "The Impossible Escape!"
    Having passed out in the middle of the street following his fight with the Vulture, Spider-Man is taken into police custody,
    but George Stacy ensures that Spider-Man's mask is not removed, to protect his civil rights.

    Meanwhile, Spider-Man is transported to the local prison and put in the infirmary where he will be questioned when he revives.

    However, this never happens because the prisoners take over the prison and hold George Stacy hostage.

    Spider-Man revives and fights through all the cons and frees Stacy.

    Afterward, Stacy tries to appeal to Spider-Man to stay for questioning and to reveal his identity and try and prove that he is not a criminal.
    Spider-Man refuses, because of his concern over his Aunt May's safety should his identity become public knowledge.
    Spider-Man then leaves, and when a furious J. Jonah Jameson visits the prison after wanting to know why they let Spider-Man escape,
    the answer is straightforward: He stopped a prison break and defused a hostage situation.

    Script by Stan Lee, pencils by John Romita Sr. (layouts) and Jim Mooney (pencils), inks by Jim Mooney

  4. #214
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    Default French 'Spider-Man' charged over London skyscraper climb


  5. #215
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    Talking Happy Birthday Glynis Wein!!!

    Amazing Spider-Man #200 Jan 1980
    "The Spider and the Burglar...A Sequel"
    It's the bicentennial issue of the Amazing Spider-Man! And the web-slinger is going back, all the way back,
    to the days of Amazing Fantasy #15 to once again confront the criminal that murdered his Uncle Ben!

    But this time Peter Parker will have to stop the killer without his spider powers!
    Given a second chance, can the wall-crawler right the wrongs from the past and save his beloved Aunt May?

    Emotions run at an all-time high for your friendly neighborhood Spider-Man!

    NOTE: Stan"The Man" Lee scripts the final page of the story!
    Brief retelling of Spider-Man's origin. Final appearance of the burglar.
    Cameo appearance by Anna Watson. Flashback cameo by Ben Parker.


    Script by Marv Wolfman. Art by Keith Pollard (breakdowns) and Jim Mooney (finishes).
    Colors by Glynis Wein http://www.comicsreporter.com/index....y_glynis_wein/

  6. #216
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  7. #217
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    Default Mysterio Fishbowl Helmet LEAKED - Spider-Man Far From Home


  8. #218
    The Superior One Celgress's Avatar
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    Quote Originally Posted by juan678 View Post
    very amusing ha ha ha
    "So you've come to the end now alive but dead inside."

  9. #219
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    Happy Birthday to the late GREAT Steve Ditko!!!

    Amazing Spider-Man #6 Nov 1963
    First appearance of the Lizard in "Face-to-Face With...the Lizard!"
    When reports of a humanoid-lizard (naturally dubbed "The Lizard") come out of Florida,
    Daily Bugle publisher J. Jonah Jameson issues a challenge to Spider-Man: Defeat the Lizard.
    Hearing about this, Peter goes to see what Jameson's intentions are.
    He learns that Jameson only issued the challenge to sell more papers.

    Later, while at the Natural History Museum with his classmates, Peter takes express interest in the lizard exhibits.
    When crooks try to rob the museum and take Liz Allan hostage, Peter slips away and changes into Spider-Man and comes to her rescue.

    Hearing another report of an attack by the Lizard in Florida, Peter decides to take Jameson's challenge.
    As Spider-Man, Peter pays Jameson a visit to take him up on his challenge,
    in the hopes that he'd send Peter Parker to Florida to take pictures of the event.
    The plot works, however it backfires ever so slightly: Jameson himself is going to accompany the boy in order to supervise him.

    When they arrive in Florida, Peter makes an excuse of needing to buy film for his camera to get away from Jameson.
    As Spider-Man, Peter checks out his only lead: Curtis Connors, a resident expert on lizards.

    However, when he arrives at the Connors home, Spider-Man learns from Curt's wife that her husband is the Lizard:
    He was trying to find a way to allow humans to grow back limbs. Since Connors had lost his arm in the war, he used himself as a
    guinea pig on the project. While his arm grew back, the side effects of the serum he created caused him to transform into the Lizard.

    The Lizard then attacks the Connors home, and Spider-Man defends them.
    He then works in Connors' lab to create an antidote for the serum, in the hopes that it can change Connors back to normal.
    Going into the swamp to find the Lizard, he finds him and his army of obedient reptiles in an old castle.
    Setting up his camera to take pictures, Spider-Man battles the Lizard
    and eventually slips him the antidote which changes the Lizard back into his human form.

    Connors thanks Spider-Man for his help, and they all decide to keep mum about the fact that Connors was the Lizard,
    as he had no control over what he did while in that form. Returning to a furious Jameson as Peter Parker, when Peter
    offers him the pictures (Which he said he bought off a local) Jameson dismisses them as fakes and tears them up.
    He then tells Parker that this dud of a trip is coming out of his future pay.

    Returning back to New York, Peter tries his luck getting a date with Liz Allan,
    which ends with her hanging up on him because she is expecting a call from that dreamy Spider-Man.

    As a round-up to his adventure to Florida, Peter sends Jameson a mocking letter to the Bugle.

    Script by Stan Lee, art by Steve Ditko https://13thdimension.com/13-covers-...celebration-3/

  10. #220

  11. #221

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    Quote Originally Posted by Miles To Go View Post
    Uh.... what is this?

  12. #222
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    I think that only the poster Miles To Go is able to answer that question. I myself was ROFL when I saw it.

  13. #223
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    It's an extract from Spidey Super Stories. Not sure what issue.

    Those stories were...peculiar.

  14. #224
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    Thanks for the info!

  15. #225
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    Amazing Spider-Man #66 Nov 1968
    "The Madness of Mysterio!"
    Mysterio has broken out of prison and is using his special effects prowess to prepare another plot to get revenge against Spider-Man;

    Meanwhile, Spidey recovers his clothes and camera left in the debris following his fight with the Vulture;

    The next day he tries to sell the pictures to Jameson; Furious that Parker "abandoned" him when he was supposed to be taking pictures
    of Spider-Man's battle with the Vulture, he throws Parker out of the building, telling Peter that he doesn't need him to take pictures;
    Appearing on television, Mysterio issues a challenge to Spider-Man to meet him to a fight to the finish or he will start destroying city bridges.

    Script by Stan Lee, pencils by John Romita Sr. (layouts) and Don Heck (pencils), inks by Mike Esposito (as Mickey Demeo)

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