Originally Posted by
Jim Kelly
Martin Goodman's publishing empire started out with pulp magazines, often with women featured on the covers in peril and various states of undress. Goodman's Timely then got into the booming comic book business and at first their primary big sellers were the male super-heroes--e.g. Human Torch, Sub-Mariner, Angel, Captain America.
However, in 1942, they began publishing MISS FURY, which reprinted Tarpe Mill's comic strip. After that Timely introduced Miss America (Madeleine Joyce) in MARVEL MYSTERY COMICS in 1943, before spinning her off into her own title in the following year. At the same time, Timely published TESSIE THE TYPIST, who was also featured in GAY COMICS. With its second issue, MISS AMERICA took on a magazine format and introduced another feature, Patsy Walker. In addition to eventually taking over that mag, PATSY WALKER won her own title and would have a long life with Marvel.
At that point there was a female population explosion: THE BLONDE PHANTOM, RUSTY, MILLIE THE MODEL, NELLIE THE NURSE, JEANIE COMICS, JUNIOR MISS, LANA, MARGIE COMICS, CINDY COMICS in additon to PATSY WALKER and MISS AMERICA and more to come--the post-war era was populated mainly by leading women. At the same time, SUB-MARINER COMICS prominently featured Namora, while VENUS and SUN GIRL were added to the super-female ranks.
Martin Goodman’s comics followed the trends. So when teen humour or super-heroes were out, then there were western and romance comics. Yet Patsy Walker and Millie the Model--with their gang of friends--stayed in publication through the 1950s and even into the 1960s, when the company now called Atlas shifted toward fantasy and science fiction.
Meanwhile, Goodman published a line of paperbacks that followed the themes of the old pulps. And he launched a line of men’s magazines: FOR MEN ONLY, BACHELOR, STAG and SWANK--these included sexy comic strips like the Adventures of Pussycat. As well, there was a line of humour digest magazines that included girly cartoons.
Talents from the comic book side of the business were also contributing to these stroke books and lad mags. And needless to say, women were prominently featured in all of these.
Patsy Walker was co-created by writer Otto Binder and artist Ruth Atkinson, while Atkinson created Millie the Model all on her own. Ruth was one of the few women working in comics back in the 1940s. So I think it’s quite a feather in Marvel’s cap that two of their longest running female characters had Ruth Atkinson to thank for their existence.
Millie and Patsy continued publication as the Marvel Age progressed and they even crossed over into a few of the super-hero comics.
MILLIE THE MODEL ended her title’s run in 1973, but Millie has continued to pop up in the Marvel Universe. PATSY WALKER ended her eponymous title in 1965, while the title she shared with her friend, PATSY AND HEDY, ended in 1967. But Patsy was not done, as Steve Englehart revived her character as the super-hero Hellcat in 1972 and she’s been active ever since.