Yes, let’s keep the trend going for pairing up Jon with people whose names start with the letter J. It can be the equivalent of Clark dating people with the initials LL.
I really dig the idea of Jon and Jackson together, even as friends. If Jay really is going to go dark side (and he’s been giving off shady vibes since day 1), the challenge for this kind of story will be expanding views on queerness without falling into the queerness=villainy trap. I firmly believe that queer characters should exist all along the morality spectrum. The important things is that Jay cannot be the only thing that informs Jon’s queerness, and DC needs to consistently portray Jon’s other queer friendships and relationships to the point where queerness is merely a mundane aspect of a character. I think DC has Jon at a good point right now though. We have our queer hero in Jon, and if we look at his social group there’s the Legion as open-minded/queer young-adults, half the members of the Future State Justice League team were already queer even before Jon came out, and all the known members of The Truth are queer. The next SoKE arc is doing well by establishing a friendship between Jon and Jackson. Dunno what it is about 2021 but Jon’s community of peers suddenly became very, very queer.
I think it would be fun if Jon and Yara were to date at some point, or have Jon get caught in a love triangle between Yara and Jackson for that bisexual drama
It would be unique to see the portrayal of a man and a woman be attracted to the same person with no fuss about genders.
Super stoked that Jon is finally getting to crossover with a lot of heroes beginning of 2022. Looking forward to all of Jon’s interactions between Jackson, Damian, and Dick!
Nah, a big fight scene won’t fix Taylor’s problem with writing villains. I think the real issues are easily correctable once you recognize them though. Just a few problems with Bendix specifically:
- Setting = characterization. Every one of Bendix’s appearances took place in the same dark room. Where’s the character that Taylor is trying to criticize, the brutal tyrant who has more concern for power and national prestige than for human life? Kaizen had his decadent palace, his armies, his giant mission control room in his early appearances (and think about what you visualize when you think about Lex Luthor, Mxy, Livewire, etc). Bendix feels boring and featureless because his setting is boring and featureless.
- Villain’s motivation isn’t articulated well. What exactly did Jon take away from Bendix that caused Bendix to retaliate in return? Was it loss of international reputation? Wealth? Security? How do you show that
on panel?
- Taylor wrote a great farmhouse raid scene in Injustice, so it’s no surprise he used it again in SoKE…except this time around Taylor made the very strange decision to remove the emotional consequences from it. The farmhouse blows up, and instead of Ma and Pa Kent reacting in terror because of their near-death experience, they brush it off quickly with a smile. Mountain turned into a molehill. It diffuses Bendix as a threat, and it’s weak fuel for Jon’s righteous anger when he finally confronts Bendix for (not) hurting his family.
- [As an aside, Bendix doesn’t necessarily need to kill the Kents to make him feel threatening, but an experimental subject or a refugee who died trying to escape would be just as effective and more thematically relevant. Similarly, I think the farmhouse attack scene is too far removed from the plot, and instead I’d replace with a scene where Jon and Jay organize a refugee donation drive in Metropolis (with Ma Kent, Pa Kent, and Lois involved as volunteers) that gets attacked instead. A few plot beats could do with that kind of refocusing.]
- Taylor undermines Bendix’s other big attack on Jon too. Bendix overcharging Jon’s powers to the point where his heroism becomes dangerous is a pretty great idea since it calls back to the recurring theme of weaponizing people against their will: Fire Guy set a forest ablaze, Faultline toppled a residential building. Now Superman’s the one out of control (I like that things happen in threes), what will happen now? Jon…only breaks one guy’s arm. And it never gets any worse than that. Taylor drops the stakes instead of logically escalating here. Too much time is spent on the comfort hero moments and not on showing exactly why messing with Bendix has serious consequences.
- Basically just pick any episode of BTAS or STAS and see how they get these elements right (characterization, motivation, threat, escalation) for their villains even with a simplistic plot.
Those are my observations anyway, feel free to critique! People want a different artist on the book, I think it needs a different editor to properly help organize and hone Taylor's ideas. I want a great rogues gallery for Jon but I don’t think Taylor is going to be the writer that builds that lol