Destiny! I always wanted her for him exactly like this for T'Challa!
Love her for him in general, maybe not exactly like this
Like her for him, kinda like WonderBat or SuperWonder
Don't really care who T'Challa is canoodling with
Dislike her for him, too much like WonderBat or SuperWonder
Hate her for him, T'Challa belongs with someone else (specify)
Blasphemy! I never wanted her for him, under any conditions
You said my reasoning works for already established characters. Guardians, Ant-Man and Strange aren't established characters. Again, that's why I mentioned them as examples.
If the boost comes from a cultural impact, I can buy that... but that's not the same thing as saying it's because of Civil War.
Okay let me break it down, Coates got BP when:
T'Challa was just front and center in the biggest event at Marvel that had been going for 5 year's. BP hadn't had a Solo in year's, Coates name did help too, Marvel out out a ton of variants, BP debuted in a billion dollar movie 2016 was also BP's 50th anniversary, Marvel also kept throwing out incentives, then hos Solo movie dropped and grossed a Billy, and marvel kept throwing out incentives to keep sales up and then did TWO renumberings to his series within about 6 monthswof each other.
Under his name, Coates has several failed books BP wow and BP and Crew (which was cancelled after Issue 1, and wow completely contradicted S1, such a "mastermind") all of this is at the start and height of BP's popularity, in which BP is a household name, has a ton of merch, and a cartoon.
Now compare that to Hudlin who had none of that at all.. yet he still had the most successful run of any BP writer... Yet Hudlin's the failure?? Come on now...
Post Hudlun/Liss/Hickman, I give a hard pass on any other dipictions of Shuri.
Coates has totally destroyed her character with this Griot nonsense and Nnedi Okoroafor has muddied the waters even further with her iteration of Shuri.
It's like Coates and every writer that's followed in his wake are obsessed with reinventing the proverbial wheel to no appreciable positive effect.
the fact that new writers don't read older runs and the iconic runs is kind of a problem too
The J-man
In addition to all of this, Axel Alonso, Hudlin’s editor at the time, was getting promoted to Editor-In-Chief. Alonso played lots of interference for Hudlin. Even played a role in facilitating Hudlin’s pairing of T’Challa and Storm.
Hudlin in his own words:
http://hudlinentertainment.com/smf/i...7208#msg127208
My leaving Black Panther was a combination of several separate events happening at the same time.
At Marvel, my editor Axel Alonso was leaving hands-on editing as he began his ascent to what would eventually be him becoming editor in chief.
I knew how much interference he was running for me. My stories were very controversial and there was no guarantee that whoever would be the next editor would be as understanding or effective.
At the same time, I was done with BET, and needed to focus on what I was going to do next. I had to write and produce the Black Panther animated series, which was a huge job in itself. But what was I really going to do next? Tyler Perry was creating new business models in film and television. Mark Millar was having unprecedented success in creator owned comics. Compared to all that, what I was doing didn't make any sense to me.
At the same time, I was burnt out. So I finished up my obligations, and chilled. Travelled. Reintroduced myself to my family. Took a long look at the business and thought about what I really want out of life.
I was initially excited when they came together under the pen of Hudlin and was further encouraged by David Liss and Dwayne McDuffie who I felt understood the power dynamics between them.
But meddling from other Marvel franchises soured the pairing for me and I would rather he found love with a female Wakandan so such pettiness would not happen in the future.